"And doing so you can recreate yourself and you can also come up with something that is not only original and creative and artistic, but also maybe even decent, or moral if I can use words like that, or something that's like basically good"
About this Quote
Bangs is smuggling a moral argument into the middle of an aesthetic pep talk, then wincing as he does it. The line starts with the familiar rock-romance of self-reinvention: recreate yourself, make something original, creative, artistic. Then it tilts. He adds "maybe even decent", and immediately hedges: "or moral if I can use words like that". That flinch matters. In Bangs's world, "moral" is a suspect term, the kind of piety critics get mocked for and artists evade with irony. He wants to believe in goodness without sounding like a hall monitor.
The specific intent is to reclaim criticism (and art-making by proxy) as more than taste-making or scene-policing. Bangs is arguing that the act of making - and of committing to a sensibility - can be a form of self-construction with ethical stakes. Not ethics as sermon, but ethics as residue: what you choose to celebrate, what you refuse to excuse, what kind of person your aesthetic habits are training you to be.
Subtext: the counterculture's great disappointment. By the 1970s, authenticity had become a brand, transgression a routine, and "artistic" could be a blanket alibi for selfishness. Bangs keeps the punk/rock suspicion of sanctimony, yet he also suspects that pure nihilism is just another pose. His repetition ("original and creative and artistic") mimics thee hype machine; his qualifiers ("maybe", "if I can use words like that") puncture it. The payoff is the plainspoken pivot to "basically good" - a modest phrase for an immodest claim: art can be a way back to decency when the culture's cool is running out.
The specific intent is to reclaim criticism (and art-making by proxy) as more than taste-making or scene-policing. Bangs is arguing that the act of making - and of committing to a sensibility - can be a form of self-construction with ethical stakes. Not ethics as sermon, but ethics as residue: what you choose to celebrate, what you refuse to excuse, what kind of person your aesthetic habits are training you to be.
Subtext: the counterculture's great disappointment. By the 1970s, authenticity had become a brand, transgression a routine, and "artistic" could be a blanket alibi for selfishness. Bangs keeps the punk/rock suspicion of sanctimony, yet he also suspects that pure nihilism is just another pose. His repetition ("original and creative and artistic") mimics thee hype machine; his qualifiers ("maybe", "if I can use words like that") puncture it. The payoff is the plainspoken pivot to "basically good" - a modest phrase for an immodest claim: art can be a way back to decency when the culture's cool is running out.
Quote Details
| Topic | Reinvention |
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