"And God help Bruce Springsteen when they decide he's no longer God... They'll turn on him, and I hope he survives it"
About this Quote
Fame, Lennon warns, is a rental agreement the crowd can terminate without notice. By invoking “God” twice in the same breath, he skewers the quasi-religious way pop culture manufactures saints: Springsteen as a messiah figure, then instantly as a heretic the moment the congregation gets bored. The line lands because Lennon doesn’t frame it as a moral failure of one fickle fan; he frames it as a system with a script. “When they decide” is the tell. The power sits with the anonymous “they” - critics, tastemakers, audiences, the whole noisy machine that anoints and destroys.
The subtext is protective, but it’s also confession. Lennon knew exactly what it meant to be deified, then treated like a public utility people felt entitled to resent. Coming from an ex-Beatle who’d watched adoration curdle into backlash, the quote reads like survivor’s advice disguised as dark humor. “God help” is less prayer than prognosis: you won’t beat the cycle with good behavior, because it isn’t about behavior. It’s about mood.
Contextually, it’s a snapshot of the post-60s comedown and the 70s celebrity-industrial complex: authenticity becomes a brand, brands become targets. Springsteen’s “everyman” mythos made him especially vulnerable to the day audiences decide the everyman has become an institution. Lennon’s final twist - “I hope he survives it” - makes the punchline human. The real danger isn’t bad reviews. It’s what mass disillusionment does to the person underneath the halo.
The subtext is protective, but it’s also confession. Lennon knew exactly what it meant to be deified, then treated like a public utility people felt entitled to resent. Coming from an ex-Beatle who’d watched adoration curdle into backlash, the quote reads like survivor’s advice disguised as dark humor. “God help” is less prayer than prognosis: you won’t beat the cycle with good behavior, because it isn’t about behavior. It’s about mood.
Contextually, it’s a snapshot of the post-60s comedown and the 70s celebrity-industrial complex: authenticity becomes a brand, brands become targets. Springsteen’s “everyman” mythos made him especially vulnerable to the day audiences decide the everyman has become an institution. Lennon’s final twist - “I hope he survives it” - makes the punchline human. The real danger isn’t bad reviews. It’s what mass disillusionment does to the person underneath the halo.
Quote Details
| Topic | Music |
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