"And I ask why am I black, they say I was born in sin, and shamed inequity. One of the main songs we used to sing in church makes me sick, 'love wash me and I shall be whiter than snow"
About this Quote
Tosh takes a familiar Christian lyric and turns it into a trapdoor: if purity is "whiter than snow", what does that make Blackness inside a church that preached salvation to the enslaved and colonized? The line isn’t just a complaint about offensive imagery. It’s an exposure of how language smuggles hierarchy into worship, how a metaphor can become a moral ranking system when it lands in a world built on anti-Blackness.
His opening question, "why am I black", mimics the interrogations Black people are forced to perform for others - as if existence requires a defense. The answer he reports back ("born in sin") isn’t theology so much as social discipline: a way to naturalize inequality, to turn history into destiny. "Shamed inequity" is the pivot. Shame is the emotion institutions deploy when they want compliance without debate; inequity is the structure that benefits from that silence.
Tosh’s disgust - "makes me sick" - matters. He’s not offering a polite critique for interfaith dialogue; he’s registering bodily recoil, the moment faith’s comfort curdles into complicity. Coming from a Jamaican reggae icon steeped in Rastafari-inflected resistance, the context is crucial: reggae as counter-sermon, a public pulpit for people who know the official pulpit often served empire. He’s demanding a spirituality that doesn’t ask Black people to imagine themselves cleaner by imagining themselves whiter.
His opening question, "why am I black", mimics the interrogations Black people are forced to perform for others - as if existence requires a defense. The answer he reports back ("born in sin") isn’t theology so much as social discipline: a way to naturalize inequality, to turn history into destiny. "Shamed inequity" is the pivot. Shame is the emotion institutions deploy when they want compliance without debate; inequity is the structure that benefits from that silence.
Tosh’s disgust - "makes me sick" - matters. He’s not offering a polite critique for interfaith dialogue; he’s registering bodily recoil, the moment faith’s comfort curdles into complicity. Coming from a Jamaican reggae icon steeped in Rastafari-inflected resistance, the context is crucial: reggae as counter-sermon, a public pulpit for people who know the official pulpit often served empire. He’s demanding a spirituality that doesn’t ask Black people to imagine themselves cleaner by imagining themselves whiter.
Quote Details
| Topic | Equality |
|---|---|
| Source | Help us find the source |
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