"And I believe we need heroes, I believe we need certain people who we can measure our own shortcomings by"
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Heroes, in Richard Attenborough's framing, aren't pedestal ornaments; they're yardsticks. Coming from an actor whose career toggled between populist charm and moral seriousness (Gandhi, Cry Freedom), the line quietly rejects the modern reflex to treat hero worship as naive. He isn't arguing for flawless icons. He's arguing for calibrated aspiration: figures whose scale makes our own evasions visible.
The clever move is in the phrase "measure our own shortcomings by". It's an almost clinical metaphor, taking the squishy business of ethics and turning it into something like craft. In acting terms, heroes become a reference performance: you may never hit that register, but you learn where you fall flat. The subtext is less about admiration than accountability. Without exemplary lives (or exemplary stories), we can always renegotiate our standards downward, calling it realism. Attenborough suggests we do the opposite: keep an external benchmark that prevents self-forgiveness from becoming self-deception.
Context matters, too. Attenborough belonged to a generation shaped by war, rationing, and civic institutions that asked for sacrifice and belief. His hero talk isn't a call for strongmen; it's a call for models of conscience in a culture increasingly allergic to moral hierarchy. There's also a filmmaker's pragmatism here: societies run on narratives, and heroes are narrative compression, turning sprawling values into a person you can picture. The line defends that machinery while acknowledging its function is not worship, but self-scrutiny.
The clever move is in the phrase "measure our own shortcomings by". It's an almost clinical metaphor, taking the squishy business of ethics and turning it into something like craft. In acting terms, heroes become a reference performance: you may never hit that register, but you learn where you fall flat. The subtext is less about admiration than accountability. Without exemplary lives (or exemplary stories), we can always renegotiate our standards downward, calling it realism. Attenborough suggests we do the opposite: keep an external benchmark that prevents self-forgiveness from becoming self-deception.
Context matters, too. Attenborough belonged to a generation shaped by war, rationing, and civic institutions that asked for sacrifice and belief. His hero talk isn't a call for strongmen; it's a call for models of conscience in a culture increasingly allergic to moral hierarchy. There's also a filmmaker's pragmatism here: societies run on narratives, and heroes are narrative compression, turning sprawling values into a person you can picture. The line defends that machinery while acknowledging its function is not worship, but self-scrutiny.
Quote Details
| Topic | Leadership |
|---|---|
| Source | Help us find the source |
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