"And I know how many DJ pools have grown and I know how DJing has grown in the overall, but that was the technical side of it to me. DJs were rolling around, looking for stuff to buy and looking to see what was in the store when they get there"
About this Quote
Jam Master Jay is drawing a line between expansion and experience: yes, DJ pools multiplied and the craft “grew,” but he’s skeptical of what that growth actually meant. The phrase “the technical side of it” is doing quiet work here. It frames industry infrastructure - pools, supply chains, distribution - as a kind of spreadsheet progress that can be mistaken for culture. His tone is almost bemused, like someone watching outsiders celebrate the wiring while ignoring the electricity.
The second sentence lands as an elegy for a lost ritual. “Rolling around” isn’t just movement; it’s pilgrimage. The old-school DJ isn’t a content consumer clicking through a catalog, but a crate digger navigating neighborhoods, shops, and gatekeepers. The record store becomes a social network with consequences: you show up, you’re seen, you build relationships, you hear rumors, you discover what wasn’t marketed to you. Serendipity is part of the sound.
Context matters: Jay came up in a hip-hop ecosystem where scarcity shaped skill. Limited access meant DJs competed through ingenuity, not sheer volume. So when he notes the rise of DJ pools, he’s also implying the flattening of taste - a world where everyone can get the same “service pack,” and difference becomes harder to earn.
Under the surface, it’s a critique of convenience culture before streaming fully took over. He’s not anti-progress; he’s mourning what disappears when discovery stops being physical, local, and slightly difficult: the friction that made identity.
The second sentence lands as an elegy for a lost ritual. “Rolling around” isn’t just movement; it’s pilgrimage. The old-school DJ isn’t a content consumer clicking through a catalog, but a crate digger navigating neighborhoods, shops, and gatekeepers. The record store becomes a social network with consequences: you show up, you’re seen, you build relationships, you hear rumors, you discover what wasn’t marketed to you. Serendipity is part of the sound.
Context matters: Jay came up in a hip-hop ecosystem where scarcity shaped skill. Limited access meant DJs competed through ingenuity, not sheer volume. So when he notes the rise of DJ pools, he’s also implying the flattening of taste - a world where everyone can get the same “service pack,” and difference becomes harder to earn.
Under the surface, it’s a critique of convenience culture before streaming fully took over. He’s not anti-progress; he’s mourning what disappears when discovery stops being physical, local, and slightly difficult: the friction that made identity.
Quote Details
| Topic | Music |
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