"And I think I often choose to do something because it's quite different from what I've done before"
About this Quote
Restlessness can be a craft choice, not a character flaw. Neil Jordan frames artistic reinvention as habit: he "often choose[s]" the unfamiliar, not because the familiar has failed, but because repetition is its own kind of creative death. The line is modest on the surface, almost offhand, yet it quietly stakes out an ethic of motion: identity as something you build by refusing to calcify.
The intent is pragmatic and strategic. A director who returns to the same note risks becoming a brand manager for their past successes. Jordan’s phrasing makes difference sound less like a grand manifesto and more like a working method, a way to keep his instincts sharp and his audience slightly off-balance. It reads like a refusal of the industry’s safest pitch - more of what sold last time - and a reminder that cinema is a medium that punishes complacency.
The subtext carries a little self-protection, too. Choosing what’s "quite different" preempts comparison on hostile terrain. If the next film doesn’t resemble the last, critics can’t measure it with the same ruler; the director gets to reset the terms of judgment. That’s not evasive so much as savvy: reinvention as both artistic curiosity and reputational insurance.
Contextually, Jordan’s career makes the sentence feel like a thesis statement. He’s moved between genres and tones - crime, gothic romance, political violence, intimate character studies - often circling Irish history and identity without letting any single style own him. The quote captures a filmmaker treating variety as continuity: the through-line is the leap.
The intent is pragmatic and strategic. A director who returns to the same note risks becoming a brand manager for their past successes. Jordan’s phrasing makes difference sound less like a grand manifesto and more like a working method, a way to keep his instincts sharp and his audience slightly off-balance. It reads like a refusal of the industry’s safest pitch - more of what sold last time - and a reminder that cinema is a medium that punishes complacency.
The subtext carries a little self-protection, too. Choosing what’s "quite different" preempts comparison on hostile terrain. If the next film doesn’t resemble the last, critics can’t measure it with the same ruler; the director gets to reset the terms of judgment. That’s not evasive so much as savvy: reinvention as both artistic curiosity and reputational insurance.
Contextually, Jordan’s career makes the sentence feel like a thesis statement. He’s moved between genres and tones - crime, gothic romance, political violence, intimate character studies - often circling Irish history and identity without letting any single style own him. The quote captures a filmmaker treating variety as continuity: the through-line is the leap.
Quote Details
| Topic | Embrace Change |
|---|
More Quotes by Neil
Add to List

