"And I wasn't crazy about Hollywood in those days"
About this Quote
"And I wasn't crazy about Hollywood in those days" lands with the tidy restraint of someone too well-bred to dish, but too honest to pretend. Kitty Carlisle - a singer, actress, and later a beloved TV fixture - isn’t offering a tantrum or a takedown. She’s delivering a small social correction: don’t romanticize that place, that era, or my relationship to it.
The phrase "wasn't crazy about" is doing heavy lifting. It’s a soft-gloved critique, the kind that signals you could say more, but you won’t. That’s especially pointed coming from a woman whose career overlapped with Hollywood’s studio-system peak, when glamour was manufactured as aggressively as contracts - and personal freedom, particularly for women, was often the price. Her understatement reads like self-protection and status at once: she can afford to be casual about the dream factory because she survived it.
Context matters: Carlisle wasn’t just passing through; she moved between elite cultural circles, Broadway, film, and high-society New York. Hollywood, by contrast, could feel transactional, image-obsessed, and faintly coercive - a company town where charm is currency and privacy is a myth. The line hints at the gap between Hollywood’s public fantasy and its backstage reality, without ever breaking her own code of discretion.
It works because it’s anti-mythmaking. One short sentence punctures nostalgia and quietly reasserts agency: I was there, I saw it up close, and I didn’t buy the sales pitch.
The phrase "wasn't crazy about" is doing heavy lifting. It’s a soft-gloved critique, the kind that signals you could say more, but you won’t. That’s especially pointed coming from a woman whose career overlapped with Hollywood’s studio-system peak, when glamour was manufactured as aggressively as contracts - and personal freedom, particularly for women, was often the price. Her understatement reads like self-protection and status at once: she can afford to be casual about the dream factory because she survived it.
Context matters: Carlisle wasn’t just passing through; she moved between elite cultural circles, Broadway, film, and high-society New York. Hollywood, by contrast, could feel transactional, image-obsessed, and faintly coercive - a company town where charm is currency and privacy is a myth. The line hints at the gap between Hollywood’s public fantasy and its backstage reality, without ever breaking her own code of discretion.
It works because it’s anti-mythmaking. One short sentence punctures nostalgia and quietly reasserts agency: I was there, I saw it up close, and I didn’t buy the sales pitch.
Quote Details
| Topic | Movie |
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