"And I'm working at trying to find a kind of language where I won't be so easily modulated by expectation"
About this Quote
Acker’s line is a small manifesto disguised as a craft note: the enemy isn’t ignorance, it’s anticipation. “Modulated by expectation” names a subtler form of control than censorship - the way an audience, a scene, a market, even a lover can pre-write your sentences before you type them. If you can be “easily” modulated, you’re not exactly speaking; you’re performing compliance in a voice that still feels like yours.
The phrasing matters. “Working at trying” is deliberately clunky, almost anti-literary, refusing the clean confidence of a polished authorial posture. It casts freedom as labor, not identity. “Find a kind of language” doesn’t mean locate the perfect vocabulary; it means invent a form that can’t be smoothed into the expected arc: confession with redemption, transgression with a moral, feminism with palatable edges. Acker’s project - stitched from plagiarism, porn, punk abrasion, and brutal self-exposure - treated “originality” as a trap and linear storytelling as a disciplinary tool. She raided existing texts to show how culture already raids you.
Calling her an activist makes the politics legible: she’s not just rejecting taste; she’s resisting the social technology of expectation, especially around women’s bodies and women’s narratives. The subtext is almost tactical: if power predicts your language, it can predict your limits. So she seeks a language that stays uncooperative long enough to create new possibilities - not by being obscure, but by being ungovernable.
The phrasing matters. “Working at trying” is deliberately clunky, almost anti-literary, refusing the clean confidence of a polished authorial posture. It casts freedom as labor, not identity. “Find a kind of language” doesn’t mean locate the perfect vocabulary; it means invent a form that can’t be smoothed into the expected arc: confession with redemption, transgression with a moral, feminism with palatable edges. Acker’s project - stitched from plagiarism, porn, punk abrasion, and brutal self-exposure - treated “originality” as a trap and linear storytelling as a disciplinary tool. She raided existing texts to show how culture already raids you.
Calling her an activist makes the politics legible: she’s not just rejecting taste; she’s resisting the social technology of expectation, especially around women’s bodies and women’s narratives. The subtext is almost tactical: if power predicts your language, it can predict your limits. So she seeks a language that stays uncooperative long enough to create new possibilities - not by being obscure, but by being ungovernable.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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