Time & Perspective Quote by Keith David

Keith David is doing a particular kind of actorly evangelism here: the offhand, half-improvised-sounding sell that signals he’s not reciting trivia, he’s letting you in on what made the material worth inhabiting. The line has the casual cadence of a booth interview or DVD-extra confession, but it’s also a shrewd argument for taking “genre” seriously. “It has some weight” is the key phrase, a miniature defense of a project that could be dismissed as kid-friendly fantasy or gothic camp. He’s asserting gravitas without putting on academic airs.

The self-corrections - “I mean,” “the whole history” - work like authenticity markers. They suggest someone searching for the right register, trying to translate why a pile of lore matters emotionally. And the specificity of “the gargoyles” is important: he’s not praising a vague “world,” he’s praising a history, an accumulated mythos. That’s a nod to what late-20th-century fandom started demanding: continuity, backstory, the sense that even the monsters have archives.

Then he swerves into delight: “that’s some wonderful stuff.” It’s not reverent; it’s appreciative, like a craftsman admiring the joinery. Subtext: the best fantasy isn’t escapism as anesthetic, it’s escapism as structure - a way to smuggle themes about loyalty, exile, and identity into something that looks like a cartoon. Coming from David, whose voice can make authority feel intimate, the remark doubles as a reminder that “weight” in pop culture often comes from commitment: actors treating lore as literature, not merch.