"And it's very hard to do this stuff too because there are so many effects movies being done, so many companies busy doing this work and the public just wants to see it. Good work is being done all over the world"
About this Quote
There is a quiet tension in Dennis Muren's praise: awe at the craft, edged with the fatigue of an industry that can barely keep up with its own appetite. When he says "it's very hard to do this stuff", he isn't talking about inspiration. He's talking about throughput. Visual effects, once a boutique magic trick, have become an always-on manufacturing pipeline, and Muren frames that shift with the bluntest metric imaginable: demand. "The public just wants to see it" lands less like celebration than like a diagnosis of a feedback loop, where expectation accelerates faster than any team's ability to deliver.
The line about "so many effects movies being done" carries an implicit reshuffling of power. Studios used to sell a few big spectacles a year; now spectacle is a baseline requirement across franchises, streaming series, even mid-budget fare. "So many companies busy doing this work" acknowledges globalization and specialization - a vast, distributed workforce patching shots across time zones - while also hinting at fragmentation, churn, and the risk of commoditizing artistry into a service sector.
Then Muren pivots: "Good work is being done all over the world". It's generous, but it's also strategic. In a field where credits scroll for minutes and individual authorship disappears, he insists on standards and solidarity. The subtext is protective: the craft still matters, even when it's treated like an infinite resource. Muren isn't romanticizing effects; he's defending them against the very success that turned wonder into obligation.
The line about "so many effects movies being done" carries an implicit reshuffling of power. Studios used to sell a few big spectacles a year; now spectacle is a baseline requirement across franchises, streaming series, even mid-budget fare. "So many companies busy doing this work" acknowledges globalization and specialization - a vast, distributed workforce patching shots across time zones - while also hinting at fragmentation, churn, and the risk of commoditizing artistry into a service sector.
Then Muren pivots: "Good work is being done all over the world". It's generous, but it's also strategic. In a field where credits scroll for minutes and individual authorship disappears, he insists on standards and solidarity. The subtext is protective: the craft still matters, even when it's treated like an infinite resource. Muren isn't romanticizing effects; he's defending them against the very success that turned wonder into obligation.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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