"And love's the noblest frailty of the mind"
About this Quote
Dryden’s line flatters love with one hand and diagnoses it with the other. Calling love the “noblest” of anything sounds like a compliment until the noun arrives: “frailty.” The word lands with a moralist’s chill. Love isn’t framed as virtue or triumph; it’s a weakness, a crack in the mind’s armor. Dryden’s wit is in the balance: love is what elevates us and what undoes us, a defect so essential it starts to look like the feature.
The phrasing also matters. “The mind,” not the heart, is on trial. In a late-17th-century culture that prized reason, restraint, and social order (and in Dryden’s own career of navigating shifting regimes and public taste), love becomes the sanctioned lapse: the one irrationality a civilized person can admit to without forfeiting dignity. It’s a concession that keeps the hierarchy intact. Reason still rules; love is the exception that proves the rule, a failure you can praise because it’s aesthetically pleasing, socially useful, and narratively inevitable.
Subtextually, Dryden is also protecting himself from sentimentality. To describe love as frailty is to preempt the charge of softness; to describe it as noble is to preempt the charge of cynicism. It’s a poet’s compromise and a courtly one: love is dangerous, but it’s the kind of danger society likes to romanticize, especially when it can be turned into art.
The phrasing also matters. “The mind,” not the heart, is on trial. In a late-17th-century culture that prized reason, restraint, and social order (and in Dryden’s own career of navigating shifting regimes and public taste), love becomes the sanctioned lapse: the one irrationality a civilized person can admit to without forfeiting dignity. It’s a concession that keeps the hierarchy intact. Reason still rules; love is the exception that proves the rule, a failure you can praise because it’s aesthetically pleasing, socially useful, and narratively inevitable.
Subtextually, Dryden is also protecting himself from sentimentality. To describe love as frailty is to preempt the charge of softness; to describe it as noble is to preempt the charge of cynicism. It’s a poet’s compromise and a courtly one: love is dangerous, but it’s the kind of danger society likes to romanticize, especially when it can be turned into art.
Quote Details
| Topic | Love |
|---|---|
| Source | Help us find the source |
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