"And my life for the first - you know, when I was in my 20s and 30s, I had my career, and I traveled the world, I lived out of a suitcase. I stayed up until dawn. I did all of those things that were very exciting"
About this Quote
Restlessness gets packaged here as a kind of glamorous evidence. Tiegs frames her early adulthood as motion without friction: career as passport, the world as backdrop, a suitcase as both prop and personality. The repetition of "I" and the quick stack of actions ("traveled", "lived", "stayed up") mimics the breathless cadence of someone remembering life at high speed. Even the halting aside - "you know" - performs intimacy, as if the listener is being invited into a shared fantasy of perpetual access.
The subtext is more interesting than the itinerary. "Lived out of a suitcase" is a model's shorthand for an era when work meant being everywhere and nowhere, when your body is the job and time zones replace routines. It's also a euphemism: a way to allude to instability without naming loneliness, exhaustion, or the fact that constant novelty can be its own kind of confinement. The phrase "all of those things" is tellingly vague, hinting at nightlife and hedonism while keeping the brand clean. Models are trained to suggest without confessing.
Context matters: Tiegs comes from a generation of supermodels who were both workers and symbols, selling aspiration while living under a microscope. The tone isn't regretful, but it does sound like someone setting up a contrast - a before-and-after narrative where "very exciting" is a caption, not a verdict. The intent feels like reclamation: to own the chaos as choice, to make intensity read as freedom rather than drift.
The subtext is more interesting than the itinerary. "Lived out of a suitcase" is a model's shorthand for an era when work meant being everywhere and nowhere, when your body is the job and time zones replace routines. It's also a euphemism: a way to allude to instability without naming loneliness, exhaustion, or the fact that constant novelty can be its own kind of confinement. The phrase "all of those things" is tellingly vague, hinting at nightlife and hedonism while keeping the brand clean. Models are trained to suggest without confessing.
Context matters: Tiegs comes from a generation of supermodels who were both workers and symbols, selling aspiration while living under a microscope. The tone isn't regretful, but it does sound like someone setting up a contrast - a before-and-after narrative where "very exciting" is a caption, not a verdict. The intent feels like reclamation: to own the chaos as choice, to make intensity read as freedom rather than drift.
Quote Details
| Topic | Travel |
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