"And obviously, when I started out, I had a little bit more curiosity than some, and went seeking out the original artists, or in some cases searching up country music"
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There’s a sly humility baked into Costello’s “obviously.” It’s the kind of casual throat-clear that signals self-awareness: he knows that curiosity gets mythologized after the fact, turned into destiny. By framing his early drive as “a little bit more curiosity than some,” he dodges the heroic-genius narrative while still staking a claim to something rarer than talent: appetite. Not just for new sounds, but for origins.
The key move is “seeking out the original artists.” That phrase carries a quiet moral argument about pop culture’s constant remixing. Costello isn’t condemning borrowing; he’s drawing a line between scavenging and studying. The intent feels less like credentialing and more like paying a debt forward: if you’re going to raid the pantry, learn who stocked it.
The context matters: Costello comes out of a Britain where American roots music arrived as both commodity and rumor, filtered through radio, imports, and cover versions that often sanded off the grit. “Searching up country music” reads like an admission of effort, even friction. This isn’t taste as lifestyle brand; it’s taste as research project. Country, R&B, early rock and roll - these were uncool or coded in certain circles, which makes the pursuit a minor act of dissent against scene orthodoxy.
Subtext: authenticity isn’t a vibe, it’s a relationship. Curiosity becomes an ethic, a way of resisting the easy story that music is born fully formed in the hands of the latest charismatic frontman.
The key move is “seeking out the original artists.” That phrase carries a quiet moral argument about pop culture’s constant remixing. Costello isn’t condemning borrowing; he’s drawing a line between scavenging and studying. The intent feels less like credentialing and more like paying a debt forward: if you’re going to raid the pantry, learn who stocked it.
The context matters: Costello comes out of a Britain where American roots music arrived as both commodity and rumor, filtered through radio, imports, and cover versions that often sanded off the grit. “Searching up country music” reads like an admission of effort, even friction. This isn’t taste as lifestyle brand; it’s taste as research project. Country, R&B, early rock and roll - these were uncool or coded in certain circles, which makes the pursuit a minor act of dissent against scene orthodoxy.
Subtext: authenticity isn’t a vibe, it’s a relationship. Curiosity becomes an ethic, a way of resisting the easy story that music is born fully formed in the hands of the latest charismatic frontman.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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