"And Robert Lowell, of course - in his poems, we're not located in his actual life. We're located more in the externals, in the journalistic facts of his life"
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Strand is doing something sly: praising Lowell while quietly relocating him. The line pivots on a distinction poets argue about when they’re pretending not to argue about it - the difference between lived experience and the publicly legible version of it. “Of course” signals the insider’s shrug, as if this is settled lore. But he immediately unsettles it by suggesting that Lowell’s poems don’t place us inside “actual life” so much as in its “externals,” the press clippings of a self: marriages, breakdowns, pedigree, the headline-ready drama.
It’s a pointed reframing of Lowell’s confessional reputation. Lowell is often treated as the patron saint of raw disclosure, the poet who put his private life on the table. Strand implies the opposite: that what feels intimate is actually mediated. The poems work not because they open a diary, but because they turn biography into reportage - a curated dossier where facts stand in for felt experience. “Journalistic” is not a compliment or an insult; it’s a diagnosis of method. Journalism converts chaos into narrative, gives events a spine, offers the reader the sensation of knowing.
The subtext is also a defense of poetry’s autonomy. Strand, a poet wary of autobiography-as-brand, is reminding us that the “I” on the page is a made object, not a blood sample. Lowell’s genius, in this reading, is that he understood how to make personal catastrophe readable - and how readability can masquerade as truth.
It’s a pointed reframing of Lowell’s confessional reputation. Lowell is often treated as the patron saint of raw disclosure, the poet who put his private life on the table. Strand implies the opposite: that what feels intimate is actually mediated. The poems work not because they open a diary, but because they turn biography into reportage - a curated dossier where facts stand in for felt experience. “Journalistic” is not a compliment or an insult; it’s a diagnosis of method. Journalism converts chaos into narrative, gives events a spine, offers the reader the sensation of knowing.
The subtext is also a defense of poetry’s autonomy. Strand, a poet wary of autobiography-as-brand, is reminding us that the “I” on the page is a made object, not a blood sample. Lowell’s genius, in this reading, is that he understood how to make personal catastrophe readable - and how readability can masquerade as truth.
Quote Details
| Topic | Poetry |
|---|---|
| Source | Help us find the source |
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