"And say my glory was I had such friends"
About this Quote
Glory, for Yeats, isn’t the trumpet-blast of achievement; it’s a ledger line that credits the living and the dead who made him possible. “And say my glory was I had such friends” lands with the plainspoken force of an epitaph, a deliberately modest boast that smuggles in pride through the side door. He isn’t renouncing ambition so much as relocating it: the real status symbol is belonging to a circle worthy of being remembered.
The phrasing matters. “Say” turns the line outward, as if he’s scripting what others will repeat after he’s gone. It’s a self-authored afterlife, a bit of stage direction that acknowledges reputation as a public performance. “Glory” is conspicuously old-fashioned, almost martial, but it’s immediately softened by “friends,” an intimate word that refuses grandeur even as it claims it. That tension is the engine: Yeats wants immortality, but he also wants it to sound earned by loyalty rather than ego.
Context deepens the bite. Yeats moved through overlapping worlds - Irish nationalism, the Abbey Theatre, literary London - where friendship was never just personal; it was political, aesthetic, strategic. Networks made careers, and the right comrades validated the artist’s seriousness. So the line reads as tribute and quiet credentialing at once: my work mattered because my companions were formidable.
There’s also a late-life shadow in it. When history feels unstable and the self feels mortal, friends become proof that one’s life formed real attachments, not just artifacts. Yeats turns companionship into a kind of moral résumé - and manages, characteristically, to make humility sound like destiny.
The phrasing matters. “Say” turns the line outward, as if he’s scripting what others will repeat after he’s gone. It’s a self-authored afterlife, a bit of stage direction that acknowledges reputation as a public performance. “Glory” is conspicuously old-fashioned, almost martial, but it’s immediately softened by “friends,” an intimate word that refuses grandeur even as it claims it. That tension is the engine: Yeats wants immortality, but he also wants it to sound earned by loyalty rather than ego.
Context deepens the bite. Yeats moved through overlapping worlds - Irish nationalism, the Abbey Theatre, literary London - where friendship was never just personal; it was political, aesthetic, strategic. Networks made careers, and the right comrades validated the artist’s seriousness. So the line reads as tribute and quiet credentialing at once: my work mattered because my companions were formidable.
There’s also a late-life shadow in it. When history feels unstable and the self feels mortal, friends become proof that one’s life formed real attachments, not just artifacts. Yeats turns companionship into a kind of moral résumé - and manages, characteristically, to make humility sound like destiny.
Quote Details
| Topic | Friendship |
|---|---|
| Source | Help us find the source |
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