"And the most important thing you can do is learn to edit yourself. And then go back and rewrite"
About this Quote
Kurt Loder’s advice lands like a newsroom rule disguised as self-help: the job isn’t to “find your voice,” it’s to cut it into something that survives daylight. “Edit yourself” is pointedly not “be edited.” The agency sits with the writer, and so does the responsibility for clarity, accuracy, and restraint. Coming from a journalist who helped define an era of pop-cultural reporting, it reads as a quiet rebuke to the romantic myth of the first draft as truth. The first draft is mostly impulse: speed, ego, the thrill of a line that feels alive. Editing is where you earn credibility.
The subtext is almost moral. Learning to edit yourself means learning to interrogate your own certainty, your favorite phrasing, your untested assumptions. It’s a call to develop an internal editor strong enough to catch the lazy generalization, the cheap shot, the too-neat narrative before someone else does. In journalism, that’s not just craft; it’s trust.
“And then go back and rewrite” doubles down on process over inspiration. Editing isn’t a final polish; it’s a recognition that the original structure may be wrong. Rewrite implies humility: you misheard, you overwrote, you didn’t know what the story was until you tried to tell it. Loder’s intent is practical, but it’s also cultural commentary on a world that rewards posting fast. He’s arguing, in eight plainspoken words, for the radical act of slowing down long enough to be precise.
The subtext is almost moral. Learning to edit yourself means learning to interrogate your own certainty, your favorite phrasing, your untested assumptions. It’s a call to develop an internal editor strong enough to catch the lazy generalization, the cheap shot, the too-neat narrative before someone else does. In journalism, that’s not just craft; it’s trust.
“And then go back and rewrite” doubles down on process over inspiration. Editing isn’t a final polish; it’s a recognition that the original structure may be wrong. Rewrite implies humility: you misheard, you overwrote, you didn’t know what the story was until you tried to tell it. Loder’s intent is practical, but it’s also cultural commentary on a world that rewards posting fast. He’s arguing, in eight plainspoken words, for the radical act of slowing down long enough to be precise.
Quote Details
| Topic | Writing |
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