"And though thou notest from thy safe recess old friends burn dim, like lamps in noisome air love them for what they are; nor love them less, because to thee they are not what they were"
About this Quote
There is a particular kind of cruelty in watching someone you once knew vividly become, in your memory, a weak flame. Coleridge catches that moment with the cold comfort of distance: "thy safe recess" is both literal shelter and moral alibi. You are protected, removed from the smoke, able to observe decline without having to breathe it in. That safety is precisely what makes the judgment feel suspect.
The simile does the heavy lifting. Friends "burn dim, like lamps in noisome air" suggests a world made unbreathable by circumstance: illness, age, poverty, addiction, scandal, grief. The lamp is still a lamp; the air is what has turned it mean and smoky. Coleridge quietly relocates blame away from character and toward environment, a very Romantic move: the self is porous, altered by weather and history.
Then comes the ethical command, phrased with a stern tenderness: love them "for what they are", not for the version of them that serviced your past. The line refuses nostalgia as a standard of evaluation. It also refuses the more modern instinct to "cut off" anyone who stops reflecting you back to yourself at your best.
Written in an era when friendship was treated as a serious moral bond, not a casual social resource, the passage reads like self-correction. The subtext is confession: you will be tempted to downgrade your affection as their light dims. Don’t. The point is not sentimental loyalty; it’s an argument against the vanity of expecting people to remain useful, sparkling, or intact.
The simile does the heavy lifting. Friends "burn dim, like lamps in noisome air" suggests a world made unbreathable by circumstance: illness, age, poverty, addiction, scandal, grief. The lamp is still a lamp; the air is what has turned it mean and smoky. Coleridge quietly relocates blame away from character and toward environment, a very Romantic move: the self is porous, altered by weather and history.
Then comes the ethical command, phrased with a stern tenderness: love them "for what they are", not for the version of them that serviced your past. The line refuses nostalgia as a standard of evaluation. It also refuses the more modern instinct to "cut off" anyone who stops reflecting you back to yourself at your best.
Written in an era when friendship was treated as a serious moral bond, not a casual social resource, the passage reads like self-correction. The subtext is confession: you will be tempted to downgrade your affection as their light dims. Don’t. The point is not sentimental loyalty; it’s an argument against the vanity of expecting people to remain useful, sparkling, or intact.
Quote Details
| Topic | Friendship |
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