"And when I was a kid being an actor was not cool. I'm thirty now and when I was a kid in the 80s that wasn't a cool thing to be"
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Kartheiser’s line lands less as trivia about the 1980s than as a small act of reputation management: he’s reminding you that “actor” wasn’t always a lifestyle brand. Coming from a performer who’s made a career playing coolness as a costume (and its rot underneath), the point isn’t that he suffered uniquely. It’s that the cultural economy around fame flipped while he was growing up, and he can still feel the hinge.
The repetition of “cool” does real work. He’s not describing craft, ambition, or artistry; he’s describing social permission. “Being an actor” here reads like “being the kind of kid who wants attention,” which, in a pre-social-media childhood, could mark you as suspect, soft, or unserious. The subtext is defensive but also clarifying: don’t confuse today’s red-carpet prestige with the older stigma attached to performance, especially for boys. In the ’80s, “cool” was often coded as athletic, detached, and safely mainstream; acting was closer to drama club, try-hard energy, or adult worlds kids weren’t supposed to touch.
There’s also a sly generational claim embedded in “I’m thirty now”: he’s positioning himself between eras. Old enough to remember when celebrity was mediated and rare, young enough to work in an industry now fueled by visibility as currency. The intent is to complicate the audience’s assumptions: his career choice wasn’t a shortcut to status; it was, at least initially, a wager against it.
The repetition of “cool” does real work. He’s not describing craft, ambition, or artistry; he’s describing social permission. “Being an actor” here reads like “being the kind of kid who wants attention,” which, in a pre-social-media childhood, could mark you as suspect, soft, or unserious. The subtext is defensive but also clarifying: don’t confuse today’s red-carpet prestige with the older stigma attached to performance, especially for boys. In the ’80s, “cool” was often coded as athletic, detached, and safely mainstream; acting was closer to drama club, try-hard energy, or adult worlds kids weren’t supposed to touch.
There’s also a sly generational claim embedded in “I’m thirty now”: he’s positioning himself between eras. Old enough to remember when celebrity was mediated and rare, young enough to work in an industry now fueled by visibility as currency. The intent is to complicate the audience’s assumptions: his career choice wasn’t a shortcut to status; it was, at least initially, a wager against it.
Quote Details
| Topic | Nostalgia |
|---|---|
| Source | Help us find the source |
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