"And when I was born, I drew in the common air, and fell upon the earth, which is of like nature; and the first voice which I uttered was crying, as all others do"
About this Quote
The line strips birth of its halo and replaces it with a blunt, almost democratic fact: you arrive the way everyone arrives, gulping the same air, hitting the same ground, crying the same cry. For a poet steeped in medieval metaphysics, that insistence on the "common" is doing more than describing a delivery room. It is a calculated leveling move, cutting through status, intellect, and inherited rank by returning the reader to the one experience no prestige can edit.
Ibn Gabirol is often preoccupied with the tension between lofty soul and compromised matter; here, the body gets the first word. "Fell upon the earth" lands with a thud, not a cradle-song. The phrasing suggests gravity as theology: incarnation is literally a fall into substance. That undertone matters in an era when philosophers argued over form, matter, and the soul's ascent. The sentence performs a philosophical thesis in narrative time. Before you can speak language, you speak need.
The subtext is a quiet rebuke to vanity and a prelude to moral accounting. If the entrance is identical for all, then whatever makes a person "noble" has to be earned after the fact - through conduct, thought, devotion. The crying isn't sentimental; it's evidence. It frames human life as beginning in dependence, not triumph, and it gives Ibn Gabirol a powerful platform for the genre he often excels at: the devotional voice that knows humility isn't a pose, it's the starting condition.
Ibn Gabirol is often preoccupied with the tension between lofty soul and compromised matter; here, the body gets the first word. "Fell upon the earth" lands with a thud, not a cradle-song. The phrasing suggests gravity as theology: incarnation is literally a fall into substance. That undertone matters in an era when philosophers argued over form, matter, and the soul's ascent. The sentence performs a philosophical thesis in narrative time. Before you can speak language, you speak need.
The subtext is a quiet rebuke to vanity and a prelude to moral accounting. If the entrance is identical for all, then whatever makes a person "noble" has to be earned after the fact - through conduct, thought, devotion. The crying isn't sentimental; it's evidence. It frames human life as beginning in dependence, not triumph, and it gives Ibn Gabirol a powerful platform for the genre he often excels at: the devotional voice that knows humility isn't a pose, it's the starting condition.
Quote Details
| Topic | Life |
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