"Any attempts at humor immediately after September 11th were deemed tasteless"
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In the days after 9/11, the country didn’t just lose a sense of safety; it lost permission. Klein’s line is blunt because the social rule it captures was blunt: comedy, that most elastic of cultural languages, suddenly got treated like contraband. “Deemed tasteless” points to an informal tribunal of audiences, advertisers, and gatekeepers who weren’t arguing about jokes so much as policing grief. Taste becomes a proxy for patriotism, decency, even allegiance.
Klein, a businessman, is an apt witness. What reads like a moral judgment was also an economic one. Networks pulled late-night shows, brands froze campaigns, radio tightened playlists. The market responded to trauma by narrowing what could be said without backlash. That’s the subtext: humor didn’t fail; the risk calculus changed. A joke landing wrong wasn’t just awkward, it was career-ending, sponsor-losing, headline-making. Silence was safer.
The sentence also hints at how quickly a culture can mythologize its own seriousness. “Immediately after” marks a moment when the public demanded unbroken reverence, as if laughter itself could be a betrayal of the dead. Yet the irony is that humor is often how people metabolize catastrophe. Declaring it “tasteless” doesn’t erase the impulse; it drives it underground, reshaping comedy into coded, sideways forms until the permission structure returns.
Klein’s observation isn’t sentimental. It’s a snapshot of a society enforcing emotional unity, and of an entertainment economy learning, overnight, that tone is a kind of national security.
Klein, a businessman, is an apt witness. What reads like a moral judgment was also an economic one. Networks pulled late-night shows, brands froze campaigns, radio tightened playlists. The market responded to trauma by narrowing what could be said without backlash. That’s the subtext: humor didn’t fail; the risk calculus changed. A joke landing wrong wasn’t just awkward, it was career-ending, sponsor-losing, headline-making. Silence was safer.
The sentence also hints at how quickly a culture can mythologize its own seriousness. “Immediately after” marks a moment when the public demanded unbroken reverence, as if laughter itself could be a betrayal of the dead. Yet the irony is that humor is often how people metabolize catastrophe. Declaring it “tasteless” doesn’t erase the impulse; it drives it underground, reshaping comedy into coded, sideways forms until the permission structure returns.
Klein’s observation isn’t sentimental. It’s a snapshot of a society enforcing emotional unity, and of an entertainment economy learning, overnight, that tone is a kind of national security.
Quote Details
| Topic | Dark Humor |
|---|---|
| Source | Help us find the source |
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