"Any ideal system is its own worst enemy, and as soon as you start to implement these visions of grandeur, they just fall apart and turn into a complete tyranny"
About this Quote
Utopias, Nicholson suggests, don’t fail because people are too flawed; they fail because the blueprint itself invites coercion. The bite of “ideal system” is that it sounds clean, rational, museum-ready. But once an “ideal” has to touch actual life - messy, contradictory, improvisational - it needs enforcement. And enforcement, he warns, is where grandeur metastasizes into tyranny.
Nicholson’s phrasing is doing quiet but pointed work. “Its own worst enemy” shifts blame from outside saboteurs to internal logic: the more a system claims perfection, the less room it has for dissent, accident, or variation. “Visions of grandeur” isn’t just political swagger; it’s aesthetic too, the seduction of total design. Coming from an artist, the line reads like a rebuke to the fantasy that society can be composed like a perfect canvas. In the studio, you can revise, scrape back, leave negative space. In governance, the attempt to “implement” a total vision turns people into materials.
The speed of the collapse matters: “as soon as you start.” Nicholson isn’t predicting a slow moral drift but a structural snap. The moment ideals become policy, they demand conformity metrics, purity tests, administrators. “Complete tyranny” lands as an ugly endpoint not because leaders are uniquely evil, but because an ideal that cannot tolerate imperfection must eventually criminalize it.
Read in the shadow of the 20th century - fascism, Stalinism, the bureaucratic state - the quote doubles as a warning against aestheticizing power: when politics starts to look like a master plan, someone’s freedom becomes the smudge that has to be erased.
Nicholson’s phrasing is doing quiet but pointed work. “Its own worst enemy” shifts blame from outside saboteurs to internal logic: the more a system claims perfection, the less room it has for dissent, accident, or variation. “Visions of grandeur” isn’t just political swagger; it’s aesthetic too, the seduction of total design. Coming from an artist, the line reads like a rebuke to the fantasy that society can be composed like a perfect canvas. In the studio, you can revise, scrape back, leave negative space. In governance, the attempt to “implement” a total vision turns people into materials.
The speed of the collapse matters: “as soon as you start.” Nicholson isn’t predicting a slow moral drift but a structural snap. The moment ideals become policy, they demand conformity metrics, purity tests, administrators. “Complete tyranny” lands as an ugly endpoint not because leaders are uniquely evil, but because an ideal that cannot tolerate imperfection must eventually criminalize it.
Read in the shadow of the 20th century - fascism, Stalinism, the bureaucratic state - the quote doubles as a warning against aestheticizing power: when politics starts to look like a master plan, someone’s freedom becomes the smudge that has to be erased.
Quote Details
| Topic | Freedom |
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