"Any subject is good for opera if the composer feels it so intently he must sing it out"
About this Quote
The slyness is that “must” doubles as both compulsion and permission. Menotti gives composers a mandate to trust appetite over canon, while also placing a ruthless bar on sincerity. Not every topic deserves opera; only the ones that won’t leave the maker alone. That’s less democratic than it sounds. He’s arguing for intensity as a kind of artistic ethics: if you’re writing opera because it’s prestigious, you’ll be exposed.
The context matters. Menotti built a career on accessible, contemporary opera (The Consul, Amahl and the Night Visitors), often designed for radio and television - media that made opera compete with everyday life rather than reign above it. So the quote is also a practical manifesto: opera survives by expanding what it can metabolize, not by policing taste. The subtext is almost anti-operatic in its humility: the “grand” form is only justified when an inner voice refuses to speak and insists on singing.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Menotti, Gian Carlo. (2026, January 16). Any subject is good for opera if the composer feels it so intently he must sing it out. FixQuotes. https://fixquotes.com/quotes/any-subject-is-good-for-opera-if-the-composer-130184/
Chicago Style
Menotti, Gian Carlo. "Any subject is good for opera if the composer feels it so intently he must sing it out." FixQuotes. January 16, 2026. https://fixquotes.com/quotes/any-subject-is-good-for-opera-if-the-composer-130184/.
MLA Style (9th ed.)
"Any subject is good for opera if the composer feels it so intently he must sing it out." FixQuotes, 16 Jan. 2026, https://fixquotes.com/quotes/any-subject-is-good-for-opera-if-the-composer-130184/. Accessed 16 Feb. 2026.
