"Anyone who knows a strange fact shares in its singularity"
About this Quote
Knowledge is usually sold as a social good, but Genet frames it as contraband: a strange fact doesn’t just sit in your head, it stains you. The line smuggles in one of his core obsessions as a dramatist and outlaw-saint of French literature: identity as contamination, chosen or imposed. A “strange fact” isn’t trivia night fodder; it’s the kind of knowledge that feels slightly indecent, out of place in polite conversation. To possess it is to step sideways from the crowd.
The intent is slyly anti-democratic. Genet isn’t praising expertise; he’s describing a kind of elective outsiderhood. “Shares in its singularity” suggests that the fact’s weirdness is transferable, like a secret handshake that quietly reorganizes who you are. Subtext: you can’t fully belong once you’ve seen certain things. There’s also a quiet eroticism in the phrasing, typical of Genet: knowing becomes an intimacy with the odd, a complicity. You don’t merely observe the abnormal; you participate in it.
Context matters because Genet wrote from the margins and made the margins his aesthetic. In his theatre, society’s categories (criminal/saint, pure/tainted, normal/deviant) are costumes that slip. This sentence performs that philosophy in miniature: the boundary between fact and self dissolves. The “strange” isn’t out there; it’s a relationship. Genet’s wager is that culture polices strangeness not because it’s false, but because it’s infectious.
The intent is slyly anti-democratic. Genet isn’t praising expertise; he’s describing a kind of elective outsiderhood. “Shares in its singularity” suggests that the fact’s weirdness is transferable, like a secret handshake that quietly reorganizes who you are. Subtext: you can’t fully belong once you’ve seen certain things. There’s also a quiet eroticism in the phrasing, typical of Genet: knowing becomes an intimacy with the odd, a complicity. You don’t merely observe the abnormal; you participate in it.
Context matters because Genet wrote from the margins and made the margins his aesthetic. In his theatre, society’s categories (criminal/saint, pure/tainted, normal/deviant) are costumes that slip. This sentence performs that philosophy in miniature: the boundary between fact and self dissolves. The “strange” isn’t out there; it’s a relationship. Genet’s wager is that culture polices strangeness not because it’s false, but because it’s infectious.
Quote Details
| Topic | Knowledge |
|---|---|
| Source | Help us find the source |
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