"Approval or blame will follow in the world to come"
About this Quote
A composer who lived on the edge of poverty and died at 31 doesn’t invoke “the world to come” as a vague religious platitude; it lands like a quiet wager. Schubert’s line carries the weary clarity of someone who suspects his real audience won’t be in the room. In Vienna’s early-19th-century cultural economy, reputations were made in salons, publishing houses, and patronage networks that could be fickle, class-bound, and brutally short-term. “Approval or blame” points to that social machinery: the immediate verdicts of critics, patrons, and peers. By relocating judgment to an afterlife, he sidesteps the petty tribunal of the present without pretending it doesn’t sting.
The subtext is both humility and defiance. Humility, because the phrase admits uncertainty: maybe what he’s making deserves blame. Defiance, because it refuses to let today’s gatekeepers be final. It’s the artist’s version of delayed justice, a way to keep composing through indifference. Schubert wasn’t a showman staking his worth on applause; he was a craftsman producing songs, chamber works, and symphonies at a pace that reads like compulsion. The quote catches that psychological posture: keep working, let the future sort it out.
It also smuggles in a darkly modern insight about cultural legacy. “Approval or blame” aren’t opposites so much as twin outcomes of being remembered at all. Better to be judged later than to vanish now. For Schubert, who achieved broader fame posthumously, the line reads less like consolation and more like an eerily accurate forecast.
The subtext is both humility and defiance. Humility, because the phrase admits uncertainty: maybe what he’s making deserves blame. Defiance, because it refuses to let today’s gatekeepers be final. It’s the artist’s version of delayed justice, a way to keep composing through indifference. Schubert wasn’t a showman staking his worth on applause; he was a craftsman producing songs, chamber works, and symphonies at a pace that reads like compulsion. The quote catches that psychological posture: keep working, let the future sort it out.
It also smuggles in a darkly modern insight about cultural legacy. “Approval or blame” aren’t opposites so much as twin outcomes of being remembered at all. Better to be judged later than to vanish now. For Schubert, who achieved broader fame posthumously, the line reads less like consolation and more like an eerily accurate forecast.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Help us find the source |
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