"Art must be parochial in the beginning to be cosmopolitan in the end"
About this Quote
The intent is almost tactical. Start with the village - its idioms, obsessions, and social pressures - because that’s where observation is sharpest and stakes are real. Art made from generic “human nature” tends to read like tourism: a few flattering generalities, no lived friction. Moore’s line implies that cosmopolitanism isn’t a matter of setting your story in Paris; it’s a matter of earning complexity. The local gives you texture, and texture is what travels.
The subtext is also political, especially for an Irish writer in the shadow of English cultural dominance and amid Irish revival debates about nationalism versus sophistication. “Parochial” can be an insult used by empires to keep smaller cultures in their place. Moore reclaims it, suggesting the route to international relevance runs through specificity, not imitation of metropolitan tastes. The quote quietly argues that authenticity is not purity or nostalgia; it’s craft rooted in a place you can actually see, which then becomes a prism for everyone else’s places.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
| Cite |
Citation Formats
APA Style (7th ed.)
Moore, George A. (2026, January 15). Art must be parochial in the beginning to be cosmopolitan in the end. FixQuotes. https://fixquotes.com/quotes/art-must-be-parochial-in-the-beginning-to-be-23837/
Chicago Style
Moore, George A. "Art must be parochial in the beginning to be cosmopolitan in the end." FixQuotes. January 15, 2026. https://fixquotes.com/quotes/art-must-be-parochial-in-the-beginning-to-be-23837/.
MLA Style (9th ed.)
"Art must be parochial in the beginning to be cosmopolitan in the end." FixQuotes, 15 Jan. 2026, https://fixquotes.com/quotes/art-must-be-parochial-in-the-beginning-to-be-23837/. Accessed 22 Feb. 2026.









