"As an actor, I go where the good writing is. That's the bottom line"
About this Quote
There is something quietly radical in Glenn Close treating herself like a heat-seeking instrument for the script. In an industry that loves mythology - “the role chose me,” “I had to tell this story” - she cuts straight to a working actor’s creed: follow the writing. Not the paycheck, not the prestige packaging, not the director’s aura. The phrase “bottom line” is doing double duty: it nods to the business realities of Hollywood while insisting that the real profit, creatively speaking, is on the page.
The intent is pragmatic, almost anti-romantic. Close isn’t selling the tortured-artist narrative; she’s asserting standards. Good writing is the one resource that can’t be faked with lighting, marketing, or awards campaigns. It’s also the only part of a project that truly contains the character’s inner life - the motive, the rhythm, the moral weather. By anchoring her choices there, she frames acting as interpretation rather than improvisational ego. The performance is the amplification, not the source.
The subtext has a hint of defiance: a veteran actress refusing to be reduced to “type,” brand, or age bracket. For women especially, “good roles” can be scarce and often arrive padded with cliché. Saying she goes where the writing is reads like a map out of that trap: seek complexity, seek specificity, seek authors who can imagine women as fully dimensional. It also flatters audiences in the best way - it implies that what we’re watching isn’t just talent, but taste.
The intent is pragmatic, almost anti-romantic. Close isn’t selling the tortured-artist narrative; she’s asserting standards. Good writing is the one resource that can’t be faked with lighting, marketing, or awards campaigns. It’s also the only part of a project that truly contains the character’s inner life - the motive, the rhythm, the moral weather. By anchoring her choices there, she frames acting as interpretation rather than improvisational ego. The performance is the amplification, not the source.
The subtext has a hint of defiance: a veteran actress refusing to be reduced to “type,” brand, or age bracket. For women especially, “good roles” can be scarce and often arrive padded with cliché. Saying she goes where the writing is reads like a map out of that trap: seek complexity, seek specificity, seek authors who can imagine women as fully dimensional. It also flatters audiences in the best way - it implies that what we’re watching isn’t just talent, but taste.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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