"As Erykah Badu, it has nothing to do with me, the way I look, my hair wrap, my style, it's about you and what you feel for my music. If I can make you feel like the way that people who influenced me made me feel, that's completion"
About this Quote
Badu flips the celebrity contract on its head: the audience wants a persona, a look, a mythology; she insists the real exchange is emotional, not visual. That opening move - "as Erykah Badu, it has nothing to do with me" - is a sly reset of power. She is both brand and person, and she’s telling you the brand is a decoy. The hair wrap, the style, the iconography that pop culture loves to thumbnail into an aesthetic becomes, in her framing, background noise. Not unimportant, just not the point.
The subtext is a quiet refusal of the way Black women artists are routinely consumed: parsed for image, policed for presentation, turned into mood boards. Badu acknowledges the spectacle without feeding it. By relocating meaning in "you and what you feel", she makes the listener a co-author. That’s risky - it surrenders control - but it’s also how soul music works at its best: not as product, but as transmission.
Her word choice, "completion", is telling. She doesn’t say success, fame, or even artistry. Completion suggests a circuit closing: influence becomes inheritance, then becomes generosity. It’s lineage talk, a musician measuring herself not by charts but by whether she can recreate the seismic feeling her heroes gave her. In the late-90s/2000s neo-soul moment she helped define, that insistence on interiority was political as much as aesthetic: a demand that the culture meet Black creativity as experience, not just style.
The subtext is a quiet refusal of the way Black women artists are routinely consumed: parsed for image, policed for presentation, turned into mood boards. Badu acknowledges the spectacle without feeding it. By relocating meaning in "you and what you feel", she makes the listener a co-author. That’s risky - it surrenders control - but it’s also how soul music works at its best: not as product, but as transmission.
Her word choice, "completion", is telling. She doesn’t say success, fame, or even artistry. Completion suggests a circuit closing: influence becomes inheritance, then becomes generosity. It’s lineage talk, a musician measuring herself not by charts but by whether she can recreate the seismic feeling her heroes gave her. In the late-90s/2000s neo-soul moment she helped define, that insistence on interiority was political as much as aesthetic: a demand that the culture meet Black creativity as experience, not just style.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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