"As far as I'm concerned I've never had a problem with anybody, no rivalry"
About this Quote
There is a practiced calm to this line, the kind that lands like a closing of a door rather than an opening of a conversation. Coming from a working actress in an industry that feeds on rankings, pairing rumors, and box-office horse races, "As far as I'm concerned" is doing heavy lifting. It narrows the frame to her interior stance, not the external noise. The phrase quietly implies the opposite of what it claims: that rivalry is being alleged, circulated, maybe even manufactured, and she is choosing not to validate it.
The sentence also contains a strategic asymmetry. "I've never had a problem with anybody" is personal and relational; "no rivalry" is professional and structural. By placing them together, Soundarya collapses the gossip ecosystem into a matter of basic decency, refusing the entertainment press's preferred script where actresses are cast as antagonists in a zero-sum drama. It's PR, sure, but it's also self-authorship: a way to insist that work, not feud, is the defining narrative.
In the South Indian star system of the 1990s and early 2000s, actresses were often discussed as interchangeable "slots" competing for the same heroes, the same festive releases, the same prestige. This line pushes back without sounding defensive. The intent is to de-escalate; the subtext is control. If the industry demands a rivalry for the story to move, she refuses to supply one.
The sentence also contains a strategic asymmetry. "I've never had a problem with anybody" is personal and relational; "no rivalry" is professional and structural. By placing them together, Soundarya collapses the gossip ecosystem into a matter of basic decency, refusing the entertainment press's preferred script where actresses are cast as antagonists in a zero-sum drama. It's PR, sure, but it's also self-authorship: a way to insist that work, not feud, is the defining narrative.
In the South Indian star system of the 1990s and early 2000s, actresses were often discussed as interchangeable "slots" competing for the same heroes, the same festive releases, the same prestige. This line pushes back without sounding defensive. The intent is to de-escalate; the subtext is control. If the industry demands a rivalry for the story to move, she refuses to supply one.
Quote Details
| Topic | Friendship |
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