"As far as men go, it is not what they are that interests me, but what they can become"
About this Quote
Sartre tilts the spotlight away from personality and toward possibility, and in doing so he quietly insults every comforting idea we have about “human nature.” “As far as men go” sounds casual, almost chatty, but it’s a setup: he’s bracketing off biography, temperament, even virtue, to get at the existential wager that matters. For Sartre, the self isn’t a stable object to be admired or diagnosed; it’s a project under construction, and the only honest way to judge it is by its direction.
The line’s intent is motivational in the least Hallmark way possible. It doesn’t flatter people for what they “really are”; it pressures them for what they choose. The subtext is responsibility: if you’re defined by becoming, then you can’t outsource your life to fate, class, God, or your childhood. That’s the sting in Sartre’s humanism. Freedom isn’t a gift; it’s a burden, and refusing it is bad faith - the everyday performance of being “just the kind of person” who can’t help it.
Context matters. Sartre wrote in a Europe wrecked by war, occupation, collaboration, and moral improvisation. In that landscape, “what they are” (citizen, soldier, coward, hero) looks like a mask that can change overnight. “What they can become” is a political claim as much as a personal one: people aren’t reducible to their worst moment, but they’re also not absolved by their best intentions. He’s asking for an ethics built on action, not essence - which is exactly why the sentence still feels like a dare.
The line’s intent is motivational in the least Hallmark way possible. It doesn’t flatter people for what they “really are”; it pressures them for what they choose. The subtext is responsibility: if you’re defined by becoming, then you can’t outsource your life to fate, class, God, or your childhood. That’s the sting in Sartre’s humanism. Freedom isn’t a gift; it’s a burden, and refusing it is bad faith - the everyday performance of being “just the kind of person” who can’t help it.
Context matters. Sartre wrote in a Europe wrecked by war, occupation, collaboration, and moral improvisation. In that landscape, “what they are” (citizen, soldier, coward, hero) looks like a mask that can change overnight. “What they can become” is a political claim as much as a personal one: people aren’t reducible to their worst moment, but they’re also not absolved by their best intentions. He’s asking for an ethics built on action, not essence - which is exactly why the sentence still feels like a dare.
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