"As great as kings may be, they are what we are: they can err like other men"
About this Quote
Corneille hands you a pin and invites you to pop the royal myth without making a speech about revolution. The line looks polite - almost deferential in its opening nod to “great” kings - then quietly detonates its premise: power doesn’t cancel fallibility. In a 17th-century France busy staging monarchy as a kind of earthly theology, that’s a radical repositioning. Kings aren’t avatars of divine order; they’re humans with the same error-prone wiring as everyone else. The trick is that Corneille doesn’t argue against monarchy so much as he strips it of its alibi.
As a dramatist, he’s writing for an audience trained to worship spectacle. Court culture loved the image of the sovereign as the sun around which all meaning turns. Corneille flips the optics: instead of gazing up, he brings the king down to eye level. That change in perspective is the subtextual power move. It smuggles accountability into a world that prefers ceremony. If a king can err “like other men,” then criticism becomes not treason but common sense; obedience stops being mystical and becomes conditional.
The phrasing matters, too. “They are what we are” is blunt, almost democratic in its grammar: a simple equivalence that refuses metaphysical distance. Corneille’s theater often explores honor, duty, and authority under stress; this line insists that authority is not a moral upgrade. It’s a role - and roles, onstage and off, can be misplayed.
As a dramatist, he’s writing for an audience trained to worship spectacle. Court culture loved the image of the sovereign as the sun around which all meaning turns. Corneille flips the optics: instead of gazing up, he brings the king down to eye level. That change in perspective is the subtextual power move. It smuggles accountability into a world that prefers ceremony. If a king can err “like other men,” then criticism becomes not treason but common sense; obedience stops being mystical and becomes conditional.
The phrasing matters, too. “They are what we are” is blunt, almost democratic in its grammar: a simple equivalence that refuses metaphysical distance. Corneille’s theater often explores honor, duty, and authority under stress; this line insists that authority is not a moral upgrade. It’s a role - and roles, onstage and off, can be misplayed.
Quote Details
| Topic | Leadership |
|---|---|
| Source | Help us find the source |
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