"As the captain, I was going to be having the dominant role in most of the episodes, and that was appealing. I wasn't interested in coming to Hollywood to sit around"
About this Quote
Stewart isn’t just talking about screen time; he’s quietly rewriting the mythology of the “serious” actor who deigns to do television. The key word is “captain” - both a character description and a workplace demand. He’s framing the job as leadership, not celebrity: the person who sets the tone, carries the narrative load, and, by extension, shapes the culture of the set. That’s a pointed distinction for a stage-trained actor arriving in a Hollywood ecosystem that often treats performers as interchangeable parts.
The line works because it’s blunt about ambition without sounding vain. “Dominant role” is disarmingly practical, almost managerial. Stewart’s subtext is labor: he came to work, not to wait. “Sit around” lands like a rebuke to the industry’s famous downtime and its casual disrespect for craft. It also nods to a specific late-80s moment, when TV still carried a faint whiff of compromise for prestige actors. Stewart flips that stigma: the appeal isn’t TV’s glamour, it’s TV’s structure. Episodic storytelling guarantees repetition, routine, and accumulated authority - the opposite of a film set where actors parachute in for a few scenes and vanish.
There’s also a quiet act of self-preservation here. By insisting on a central position, Stewart is protecting his artistic identity from Hollywood’s tendency to dilute people into “supporting” versions of themselves. In one sentence, he makes ambition sound like discipline.
The line works because it’s blunt about ambition without sounding vain. “Dominant role” is disarmingly practical, almost managerial. Stewart’s subtext is labor: he came to work, not to wait. “Sit around” lands like a rebuke to the industry’s famous downtime and its casual disrespect for craft. It also nods to a specific late-80s moment, when TV still carried a faint whiff of compromise for prestige actors. Stewart flips that stigma: the appeal isn’t TV’s glamour, it’s TV’s structure. Episodic storytelling guarantees repetition, routine, and accumulated authority - the opposite of a film set where actors parachute in for a few scenes and vanish.
There’s also a quiet act of self-preservation here. By insisting on a central position, Stewart is protecting his artistic identity from Hollywood’s tendency to dilute people into “supporting” versions of themselves. In one sentence, he makes ambition sound like discipline.
Quote Details
| Topic | Career |
|---|
More Quotes by Patrick
Add to List



