"As time goes by, I realize that I do trust the wind. And I often write my songs for myself"
About this Quote
Trusting the wind is a quiet flex: it’s faith without a map, confidence without the macho certainty that pop culture often demands from artists. David Friedman’s line turns a notoriously unreliable force into a kind of companion, suggesting a creative life built less on control than on surrender. Wind doesn’t promise outcomes; it only promises motion. By saying he’s learned to trust it “as time goes by,” Friedman frames artistry as a long apprenticeship in letting go - the opposite of the industry’s obsession with branding, planning, and algorithm-friendly predictability.
The second sentence lands like a corrective to the audience-first myth. “I often write my songs for myself” isn’t selfishness; it’s an ethic. It implies that the only reliable barometer for truth is internal, not commercial. The subtext is that songs engineered to please everyone tend to evaporate on contact; songs written as private necessity can accidentally become communal. It’s a stealth argument for authenticity that avoids the corny version of that word.
Contextually, Friedman comes out of a songwriting tradition where craft and intimacy matter - folk-adjacent storytelling, cabaret sensibility, the kind of performance where the lyric has to hold up under close listening. His phrasing is plainspoken, almost tossed off, which is part of why it works: it sounds like a conclusion reached in the middle of living, not a slogan minted for a press kit.
The second sentence lands like a corrective to the audience-first myth. “I often write my songs for myself” isn’t selfishness; it’s an ethic. It implies that the only reliable barometer for truth is internal, not commercial. The subtext is that songs engineered to please everyone tend to evaporate on contact; songs written as private necessity can accidentally become communal. It’s a stealth argument for authenticity that avoids the corny version of that word.
Contextually, Friedman comes out of a songwriting tradition where craft and intimacy matter - folk-adjacent storytelling, cabaret sensibility, the kind of performance where the lyric has to hold up under close listening. His phrasing is plainspoken, almost tossed off, which is part of why it works: it sounds like a conclusion reached in the middle of living, not a slogan minted for a press kit.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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