"As you know, when Star Trek was canceled after the second season, it was the activism of the fans that revived it for a third season"
About this Quote
Takei slips a quiet power move into what sounds like a bit of fan-service nostalgia: he’s rewriting the origin story of modern fandom as organized political force. By framing Star Trek’s third season as the product of “activism,” he upgrades viewers from passive consumers to a constituency. The word choice matters. “Campaign,” “letters,” “support” would have landed as quaint. “Activism” borrows the moral vocabulary of protest and civic engagement, implying that saving a TV show wasn’t just enthusiasm; it was collective action with leverage.
The intent is partly celebratory, partly instructive. Takei, a performer who later became an outspoken public advocate, recognizes in early Trek fandom a rehearsal space for participatory culture: people coordinating, pressuring institutions, insisting their tastes deserve representation. The subtext is that media doesn’t simply get “made” by executives; it gets negotiated, and audiences can bargain when they organize.
Context sharpens the point. Star Trek’s original run was precarious, its ratings shaky, its ambitions unusually progressive for network television. The letter-writing drives (most famously led by Bjo Trimble) weren’t just about keeping a spaceship on screen; they were about preserving a vision of the future that felt bigger than what TV typically offered. Takei’s line also functions as a bridge from that analog era to today’s hashtag campaigns and fan mobilizations. It’s a reminder that the internet didn’t invent fandom’s political instincts; it just gave them better tools.
The intent is partly celebratory, partly instructive. Takei, a performer who later became an outspoken public advocate, recognizes in early Trek fandom a rehearsal space for participatory culture: people coordinating, pressuring institutions, insisting their tastes deserve representation. The subtext is that media doesn’t simply get “made” by executives; it gets negotiated, and audiences can bargain when they organize.
Context sharpens the point. Star Trek’s original run was precarious, its ratings shaky, its ambitions unusually progressive for network television. The letter-writing drives (most famously led by Bjo Trimble) weren’t just about keeping a spaceship on screen; they were about preserving a vision of the future that felt bigger than what TV typically offered. Takei’s line also functions as a bridge from that analog era to today’s hashtag campaigns and fan mobilizations. It’s a reminder that the internet didn’t invent fandom’s political instincts; it just gave them better tools.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
More Quotes by George
Add to List
