"At first I missed it, but it was the amazing energy thing that happened during shows, when a lot of people were like Yay Yay Yeah! I missed that for a while. But I don't miss the regular and the business side of that whole thing"
About this Quote
What Kreutzmann is really mourning isn’t “touring” as a career move; it’s the temporary city that forms when a band and an audience lock into the same pulse. The phrase “amazing energy thing” is deliberately unglamorous, almost sheepish, like he’s refusing to mythologize it even as he admits it was addictive. That plainness is the point: anyone who’s stood on a stage (or packed into a sweaty crowd) knows the feeling is hard to describe without sounding corny. So he dodges poetry and lets the clumsy “thing” stand in for an experience bigger than language.
“Yay Yay Yeah!” reads like a caricature of crowd joy, and that’s the subtextual wink. He’s not romanticizing fans as a sacred collective; he’s recalling the messy, human racket of approval. For a musician shaped by the Grateful Dead’s marathon live culture, that feedback loop isn’t just validation, it’s oxygen. You can hear how absence recalibrates him: “At first I missed it” suggests withdrawal, then adaptation, then clarity about what was actually worth missing.
The turn is sharp: he doesn’t miss “the regular and the business side.” That’s not a generic anti-capitalist gripe; it’s an aging artist drawing a boundary between communion and commerce. The quote quietly punctures the fantasy that musicians live for the grind. Kreutzmann’s intent is almost corrective: don’t confuse the spiritual high of performance with the logistical machine that enables it. One is electricity; the other is invoicing.
“Yay Yay Yeah!” reads like a caricature of crowd joy, and that’s the subtextual wink. He’s not romanticizing fans as a sacred collective; he’s recalling the messy, human racket of approval. For a musician shaped by the Grateful Dead’s marathon live culture, that feedback loop isn’t just validation, it’s oxygen. You can hear how absence recalibrates him: “At first I missed it” suggests withdrawal, then adaptation, then clarity about what was actually worth missing.
The turn is sharp: he doesn’t miss “the regular and the business side.” That’s not a generic anti-capitalist gripe; it’s an aging artist drawing a boundary between communion and commerce. The quote quietly punctures the fantasy that musicians live for the grind. Kreutzmann’s intent is almost corrective: don’t confuse the spiritual high of performance with the logistical machine that enables it. One is electricity; the other is invoicing.
Quote Details
| Topic | Music |
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