"At last the best of artisans ordained that that creature to whom He had been able to give nothing proper to himself should have joint possession of whatever had been peculiar to each of the different kinds of being"
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A Renaissance flex dressed up as theology: Pico imagines humanity as the one creature with no fixed “proper” nature, and turns that apparent lack into a superpower. God has already distributed attributes across creation - instincts here, strength there, angelic intellect elsewhere. Then comes the human, arriving late to the cosmic workshop, and the “best of artisans” solves the design problem by making us the borrower, the hybrid, the being with “joint possession” of everyone else’s specialties.
The intent is polemical. Pico is arguing against a medieval instinct to treat the human place in the universe as settled and ranked. He reframes hierarchy as potential: if we share in every kind of being, we can slide along the scale, sinking toward the animal or rising toward the angelic. That’s the subtext beneath the ceremonial piety. The grand craftsman isn’t just praising divine order; he’s authorizing human self-fashioning. “Nothing proper to himself” is a provocation: our defining trait is the absence of a defining trait.
Context matters. This is the humanist moment when classical philosophy, Christian doctrine, and new confidence in individual capacity are being stitched together into an argument for dignity. Pico’s move is rhetorical judo: he uses creation language to smuggle in a radically plastic anthropology. The line flatters God, but it’s really an ambitious charter for the human project - a metaphysical rationale for education, moral choice, and reinvention as the core of what a person is.
The intent is polemical. Pico is arguing against a medieval instinct to treat the human place in the universe as settled and ranked. He reframes hierarchy as potential: if we share in every kind of being, we can slide along the scale, sinking toward the animal or rising toward the angelic. That’s the subtext beneath the ceremonial piety. The grand craftsman isn’t just praising divine order; he’s authorizing human self-fashioning. “Nothing proper to himself” is a provocation: our defining trait is the absence of a defining trait.
Context matters. This is the humanist moment when classical philosophy, Christian doctrine, and new confidence in individual capacity are being stitched together into an argument for dignity. Pico’s move is rhetorical judo: he uses creation language to smuggle in a radically plastic anthropology. The line flatters God, but it’s really an ambitious charter for the human project - a metaphysical rationale for education, moral choice, and reinvention as the core of what a person is.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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