"At one time I thought he wanted to be an actor. He had certain qualifications, including no money and a total lack of responsibility"
About this Quote
Hedda Hopper lands this like a dagger wrapped in a cocktail napkin: a neat little punchline that flatters Hollywood’s self-mythology while scorning it at the same time. The setup feigns the gentle voice of experience - “At one time I thought…” - as if she’s reminiscing about a young man’s dreams. Then she flips the premise. His “qualifications” aren’t talent, discipline, or even charisma, but poverty and irresponsibility. In other words: the industry doesn’t merely tolerate dysfunction; it can mistake it for destiny.
The intent is character assassination with a smile, the kind of line that could travel fast in a town built on whispers. Hopper’s phrasing is doing multiple jobs. “No money” is an old-stage-world insult: acting as last resort, bohemian driftwood. “Total lack of responsibility” is sharper because it pretends to be practical advice while actually policing morality. It implies that acting attracts the unserious, the unaccountable, people who want attention without obligations - and it dares you to disagree, because the joke is built to feel “true.”
Context matters: Hopper wasn’t just an actress; she became one of Hollywood’s most powerful gossip columnists, an informal enforcer of respectability during the studio era. Her wit carries a warning: in this town, your persona is currency, and the same public appetite that turns actors into idols will happily devour them when the gatekeepers decide they’re “unfit.” The line isn’t just about one man. It’s a shrewd sketch of Hollywood’s contempt for the very dream it sells.
The intent is character assassination with a smile, the kind of line that could travel fast in a town built on whispers. Hopper’s phrasing is doing multiple jobs. “No money” is an old-stage-world insult: acting as last resort, bohemian driftwood. “Total lack of responsibility” is sharper because it pretends to be practical advice while actually policing morality. It implies that acting attracts the unserious, the unaccountable, people who want attention without obligations - and it dares you to disagree, because the joke is built to feel “true.”
Context matters: Hopper wasn’t just an actress; she became one of Hollywood’s most powerful gossip columnists, an informal enforcer of respectability during the studio era. Her wit carries a warning: in this town, your persona is currency, and the same public appetite that turns actors into idols will happily devour them when the gatekeepers decide they’re “unfit.” The line isn’t just about one man. It’s a shrewd sketch of Hollywood’s contempt for the very dream it sells.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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