"At one time they've been the most important thing to me. So I can't hear our records on the radio, I can't stand it, because they sound so out of what everyone else is doing"
About this Quote
There is a particular kind of grief that only hits once the world has put your younger self on a playlist. Ray Davies is talking about that: the moment when your own work stops feeling like a living argument and starts feeling like a period costume. The sting isn’t that the Kinks “don’t hold up.” It’s that they hold up in a way that feels misfiled. On the radio, the records aren’t part of the scrappy, competitive present anymore; they’re curated artifacts, smoothed into a “classic” format that turns danger into comfort.
The line “at one time they’ve been the most important thing to me” is Davies admitting how total the investment was. These weren’t just songs; they were identity, obsession, a private language built under pressure. That’s why he “can’t stand” hearing them now: the radio collapses all that context - the fights with labels, the constant reinvention, the sense of battling contemporaries - into a clean, communal background noise.
Then comes the real tell: “they sound so out of what everyone else is doing.” Davies isn’t chasing trend; he’s mourning dislocation. The Kinks often thrived by sounding unlike anyone else - English, acerbic, theatrically observant when rock wanted swagger or psychedelia. Being “out of” the moment once meant originality. Heard later, it can feel like exile. The subtext is brutal: success can freeze you in time, and the thing you made to escape conformity gets repackaged as a monument to it.
The line “at one time they’ve been the most important thing to me” is Davies admitting how total the investment was. These weren’t just songs; they were identity, obsession, a private language built under pressure. That’s why he “can’t stand” hearing them now: the radio collapses all that context - the fights with labels, the constant reinvention, the sense of battling contemporaries - into a clean, communal background noise.
Then comes the real tell: “they sound so out of what everyone else is doing.” Davies isn’t chasing trend; he’s mourning dislocation. The Kinks often thrived by sounding unlike anyone else - English, acerbic, theatrically observant when rock wanted swagger or psychedelia. Being “out of” the moment once meant originality. Heard later, it can feel like exile. The subtext is brutal: success can freeze you in time, and the thing you made to escape conformity gets repackaged as a monument to it.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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