"At times I think and at times I am"
About this Quote
Valery’s line is a razor-thin rebuttal to the modern cult of constant cognition: sometimes I think, and sometimes I simply exist. The trick is the grammar. He doesn’t claim “I think, therefore I am” in the heroic, Cartesian sense; he splits the self into alternating modes, as if consciousness were a light that flickers rather than a lamp that stays on. Thought becomes an activity you enter and exit, not an identity you permanently inhabit. That’s the subtext: the mind is powerful, but it’s also intermittent, prone to fatigue, reverie, sensuality, and the kind of wordless presence poets chase.
Valery is writing in the shadow of late-19th and early-20th century anxieties: positivism’s confidence that everything can be measured, psychoanalysis’ suspicion that we’re not masters of our own house, and a Europe careening toward world wars that exposed reason’s limits. A French poet famously obsessed with the mechanics of the mind, he’s not dismissing thinking; he’s demoting it from sovereign to one mode among others. The line quietly sides with lived experience over intellectual performance.
It also carries a jab at the self-seriousness of the “thinking man.” If you’re always thinking, you’re often not really living; you’re narrating your life instead of inhabiting it. Valery’s economy makes the point feel like a breath: brief, measured, and a little corrective. The most human moments, he suggests, aren’t always articulate - they’re the ones where the self stops explaining itself and just is.
Valery is writing in the shadow of late-19th and early-20th century anxieties: positivism’s confidence that everything can be measured, psychoanalysis’ suspicion that we’re not masters of our own house, and a Europe careening toward world wars that exposed reason’s limits. A French poet famously obsessed with the mechanics of the mind, he’s not dismissing thinking; he’s demoting it from sovereign to one mode among others. The line quietly sides with lived experience over intellectual performance.
It also carries a jab at the self-seriousness of the “thinking man.” If you’re always thinking, you’re often not really living; you’re narrating your life instead of inhabiting it. Valery’s economy makes the point feel like a breath: brief, measured, and a little corrective. The most human moments, he suggests, aren’t always articulate - they’re the ones where the self stops explaining itself and just is.
Quote Details
| Topic | Deep |
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