"At times those skills were really hard to do because not only was I having to contend with the camera, but I was having to learn these new skills and the ball was always kind of doing what you didn't want it to do. So it got a little bit frustrating at times but we got there"
About this Quote
The most revealing thing here isn’t the frustration, it’s the double performance: Parminder Nagra is describing an actor’s job when it stops being metaphorical and becomes stubbornly physical. “Contend with the camera” is industry shorthand for a weird, modern kind of pressure - you’re not just doing the thing, you’re doing the thing while being watched in a way that freezes it into permanence. Add “learn these new skills” and the line becomes a quiet inventory of invisible labor that audiences tend to treat as effortless.
Then there’s the ball, practically a co-star. “Always kind of doing what you didn’t want it to do” lands because it’s both dead simple and slyly philosophical: the body can be trained, the lens can be managed, but objects in motion have their own agenda. It’s a small confession of control slipping - not melodrama, just the irritation of physics refusing to cooperate with narrative. That’s also why the quote feels culturally resonant: so much of contemporary work is about maintaining composure while dealing with systems (technology, tools, metrics, optics) that are supposed to help but keep misbehaving.
The ending, “but we got there,” is modest, almost anti-mythic. No grand triumph, no transformative epiphany - just competence earned through repetition and a team dragging the scene across the finish line. It’s a grounded rebuke to the “movie magic” myth: what looks natural is usually just persistence, edited to look like ease.
Then there’s the ball, practically a co-star. “Always kind of doing what you didn’t want it to do” lands because it’s both dead simple and slyly philosophical: the body can be trained, the lens can be managed, but objects in motion have their own agenda. It’s a small confession of control slipping - not melodrama, just the irritation of physics refusing to cooperate with narrative. That’s also why the quote feels culturally resonant: so much of contemporary work is about maintaining composure while dealing with systems (technology, tools, metrics, optics) that are supposed to help but keep misbehaving.
The ending, “but we got there,” is modest, almost anti-mythic. No grand triumph, no transformative epiphany - just competence earned through repetition and a team dragging the scene across the finish line. It’s a grounded rebuke to the “movie magic” myth: what looks natural is usually just persistence, edited to look like ease.
Quote Details
| Topic | Training & Practice |
|---|---|
| Source | Help us find the source |
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