"Avedon wouldn't let me put wax between my teeth like I usually did"
About this Quote
A tiny refusal that reads like a manifesto: in Avedon’s studio, even a model’s private hacks get edited out. Lauren Hutton’s throwaway detail about “wax between my teeth” is pure backstage candor, but it’s also a map of power. Wax is the kind of low-tech fix you use when you’re trying to cheat the camera, smoothing a gap, faking a “better” mouth. Hutton admitting she “usually” did it names the quiet labor of beauty: the constant micro-adjustments required to pass as effortless.
Richard Avedon’s “wouldn’t let me” carries the real voltage. He’s not simply enforcing rules; he’s asserting authorship. Avedon’s brand of fashion portraiture sold realism as an aesthetic choice, a cultivated frankness that still had total control behind it. If the gap is part of Hutton’s iconography - a signature that helped shift modeling away from uniform doll perfection - then the wax would be a betrayal of the very “natural” quality the image is trying to market. He doesn’t want a cover-up; he wants the gap, the nerve, the recognizable Hutton-ness, because it reads as truth.
The subtext is a negotiation between self-protection and myth-making. Hutton’s habit is about managing scrutiny; Avedon’s veto is about converting a human insecurity into a consumable style statement. The line lands because it’s so mundane: not a grand argument about art, just a small moment where glamour’s machinery shows through - and where a photographer’s authority decides what kind of “authentic” a woman is allowed to be.
Richard Avedon’s “wouldn’t let me” carries the real voltage. He’s not simply enforcing rules; he’s asserting authorship. Avedon’s brand of fashion portraiture sold realism as an aesthetic choice, a cultivated frankness that still had total control behind it. If the gap is part of Hutton’s iconography - a signature that helped shift modeling away from uniform doll perfection - then the wax would be a betrayal of the very “natural” quality the image is trying to market. He doesn’t want a cover-up; he wants the gap, the nerve, the recognizable Hutton-ness, because it reads as truth.
The subtext is a negotiation between self-protection and myth-making. Hutton’s habit is about managing scrutiny; Avedon’s veto is about converting a human insecurity into a consumable style statement. The line lands because it’s so mundane: not a grand argument about art, just a small moment where glamour’s machinery shows through - and where a photographer’s authority decides what kind of “authentic” a woman is allowed to be.
Quote Details
| Topic | Art |
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