"Awards are meaningless to me, and I have nothing but disdain for anyone who actively campaigns to get one"
About this Quote
Bill Murray’s dismissal of awards isn’t just anti-glamour posturing; it’s a defense of a particular kind of artistic identity: the performer who can’t be bought, managed, or herded into the correct photo-op lane. The first clause, “Awards are meaningless to me,” is calibrated to puncture Hollywood’s favorite inflation mechanism. In an industry that turns taste into trophies and trophies into leverage, calling awards “meaningless” is a refusal to let external validation become currency.
The sharper blade is the second half: “disdain for anyone who actively campaigns to get one.” Murray’s target isn’t awards themselves but the ritual of neediness that surrounds them: the schmoozing, the carefully timed “serious” roles, the open letters, the strategic screenings. Campaigning exposes the machinery behind prestige, and Murray is allergic to machinery. His persona has long depended on spontaneity and a slightly anarchic distance from the system; disdaining campaigners reinforces the myth that his work happens outside the marketplace, even as it benefits from it.
Context matters: awards-season politics have grown more explicit over the last few decades, with studios and streamers spending heavily to manufacture “importance.” Murray’s line lands as a rebuke to that escalation, but it also functions as status signaling. Only someone already canonized gets to call the crown ridiculous. The subtext is both principled and performative: I’m not auditioning for your approval, and I’m confident enough to say it out loud.
The sharper blade is the second half: “disdain for anyone who actively campaigns to get one.” Murray’s target isn’t awards themselves but the ritual of neediness that surrounds them: the schmoozing, the carefully timed “serious” roles, the open letters, the strategic screenings. Campaigning exposes the machinery behind prestige, and Murray is allergic to machinery. His persona has long depended on spontaneity and a slightly anarchic distance from the system; disdaining campaigners reinforces the myth that his work happens outside the marketplace, even as it benefits from it.
Context matters: awards-season politics have grown more explicit over the last few decades, with studios and streamers spending heavily to manufacture “importance.” Murray’s line lands as a rebuke to that escalation, but it also functions as status signaling. Only someone already canonized gets to call the crown ridiculous. The subtext is both principled and performative: I’m not auditioning for your approval, and I’m confident enough to say it out loud.
Quote Details
| Topic | Humility |
|---|---|
| Source | Help us find the source |
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