"Back in the day after I won my first pageant there was an agency that was getting me work on the side"
About this Quote
There’s a whole economy tucked inside Menounos’s casual “back in the day,” and she names it without quite naming it. The sentence is built like a humble memory, but its real function is to normalize a pipeline: win a pageant, become legible to gatekeepers, monetize the attention “on the side.” That last phrase is doing heavy lifting. It softens what could sound transactional or precarious (a young woman being brokered for gigs) into something almost wholesome, like babysitting money. The vagueness is strategic; it keeps the listener from asking what kind of “work,” under what terms, and with whose control.
The key subtext is that victory wasn’t just validation, it was a credential that converted her body and charisma into market value. “An agency that was getting me work” is passive framing: the agency acts, she receives. It’s the language of someone describing the industry as opportunity rather than extraction, a common survival tactic in entertainment narratives where complaining can read as ingratitude. The pageant win becomes her origin story, but also a social permission slip: now she’s “allowed” to be seen, booked, and paid.
Culturally, this sits in the late-’90s/early-2000s logic where pageants were treated as career launchpads, especially for women aiming at TV. Menounos’s line captures the moment when personal ambition, institutional mediation, and side-hustle pragmatism blur into one seamless thing - a professionalization of visibility before social media made that machinery obvious.
The key subtext is that victory wasn’t just validation, it was a credential that converted her body and charisma into market value. “An agency that was getting me work” is passive framing: the agency acts, she receives. It’s the language of someone describing the industry as opportunity rather than extraction, a common survival tactic in entertainment narratives where complaining can read as ingratitude. The pageant win becomes her origin story, but also a social permission slip: now she’s “allowed” to be seen, booked, and paid.
Culturally, this sits in the late-’90s/early-2000s logic where pageants were treated as career launchpads, especially for women aiming at TV. Menounos’s line captures the moment when personal ambition, institutional mediation, and side-hustle pragmatism blur into one seamless thing - a professionalization of visibility before social media made that machinery obvious.
Quote Details
| Topic | Career |
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