"Back then, I couldn't have left a poem a year and gone back to it"
About this Quote
Levine’s line has the blunt honesty of a shop-floor confession: the past tense isn’t nostalgia, it’s diagnosis. “Back then” points to a life lived at speed and under pressure, the kind where art isn’t a leisurely hobby but a fragile practice constantly threatened by work, fatigue, and the daily churn of surviving. The phrasing is intentionally unpolished - “left a poem a year” sounds almost like leaving a car in the driveway, something physical you abandon and return to. That’s Levine’s signature move: he refuses the romantic myth of the poet as a person with endless uninterrupted time, and replaces it with a poet who is always negotiating time’s scarcity.
The subtext is about class and the economy of attention. To be able to “leave” a poem for a year assumes stability: a desk, a quiet mind, and the confidence that life won’t swallow the work before you can get back to it. Levine came out of Detroit’s industrial world, where the future can feel provisional and creative energy is rationed. So the statement carries a muted anger: not at the poem, but at the conditions that make revisiting, revising, and luxuriating in craft a privilege.
It also quietly defines a poetics. If you can’t return in a year, you write with urgency; you finish in the heat of the moment; you trust the first strike of language. Levine isn’t glamorizing roughness - he’s marking what was demanded of him, and what that demand made possible in his work.
The subtext is about class and the economy of attention. To be able to “leave” a poem for a year assumes stability: a desk, a quiet mind, and the confidence that life won’t swallow the work before you can get back to it. Levine came out of Detroit’s industrial world, where the future can feel provisional and creative energy is rationed. So the statement carries a muted anger: not at the poem, but at the conditions that make revisiting, revising, and luxuriating in craft a privilege.
It also quietly defines a poetics. If you can’t return in a year, you write with urgency; you finish in the heat of the moment; you trust the first strike of language. Levine isn’t glamorizing roughness - he’s marking what was demanded of him, and what that demand made possible in his work.
Quote Details
| Topic | Poetry |
|---|---|
| Source | Help us find the source |
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