"Barbarians always think of themselves as the bringers of civilization"
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The line lands like a dry cymbal hit: the real barbarism isn’t just violence or ignorance, it’s the self-portrait that comes with it. Schaeffer, a composer who spent his career interrogating how sound gets framed and sold as meaning, understands that “civilization” is often less a moral achievement than a narrative overlay. The barbarians don’t arrive announcing chaos; they arrive with a mission statement.
The subtext is a critique of imperial confidence: conquest laundered as improvement, domination recast as benevolence. “Always” is the barb he can’t resist, turning the quote into a compact law of cultural hypocrisy. It suggests a recurring psychological mechanism: the more disruptive the intrusion, the more urgently it must be justified as progress. Civilization becomes a brand, a veneer, a rhetorical permit that lets you break things while calling it construction.
Contextually, Schaeffer lived through the century of “civilizing” projects at industrial scale: world wars packaged as defense of order, colonial regimes insisting on uplift, technocratic modernity claiming inevitability. As a modernist, he also watched “culture” become a prestige weapon: who gets to define refinement, who gets labeled primitive, whose noise gets dismissed as mere noise. The quote works because it flips the gaze. Instead of asking whether an outsider is civilized, it asks who benefits from the classification itself, and how often the loudest claims to civilization are just the soundtrack to a takeover.
The subtext is a critique of imperial confidence: conquest laundered as improvement, domination recast as benevolence. “Always” is the barb he can’t resist, turning the quote into a compact law of cultural hypocrisy. It suggests a recurring psychological mechanism: the more disruptive the intrusion, the more urgently it must be justified as progress. Civilization becomes a brand, a veneer, a rhetorical permit that lets you break things while calling it construction.
Contextually, Schaeffer lived through the century of “civilizing” projects at industrial scale: world wars packaged as defense of order, colonial regimes insisting on uplift, technocratic modernity claiming inevitability. As a modernist, he also watched “culture” become a prestige weapon: who gets to define refinement, who gets labeled primitive, whose noise gets dismissed as mere noise. The quote works because it flips the gaze. Instead of asking whether an outsider is civilized, it asks who benefits from the classification itself, and how often the loudest claims to civilization are just the soundtrack to a takeover.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Help us find the source |
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