"Be kind and considerate with your criticism... It's just as hard to write a bad book as it is to write a good book"
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Cowley’s line is a quiet rebuke to the cheap sport of the takedown. Coming from a professional critic, it reads less like a plea for softness than a demand for seriousness: if you’re going to judge someone else’s work, you need to respect the labor that produced it. The sting is in the inversion. We’re trained to assume bad books are effortless, the byproduct of laziness or stupidity. Cowley insists the opposite: failure is often the result of ambition colliding with limits, not the absence of effort. That reframes criticism from moral verdict to craft analysis.
The subtext is partly institutional. Mid-century literary culture prized the critic as gatekeeper, capable of making or breaking reputations with a line. Cowley, who moved among writers as well as reviewing them, understands the asymmetry: the critic can be glib in an afternoon; the author has already spent years building a world that may not stand up. “Kind and considerate” isn’t a request to dilute standards. It’s a warning against mistaking cleverness for insight, and against the ego trap of the reviewer performing superiority.
There’s also a democratic edge. If writing a bad book can require as much time, vulnerability, and stubborn hope as writing a good one, then ridicule becomes not just unkind but intellectually lazy. Cowley is asking critics to match the writer’s investment with their own: do the work, name what fails and why, and remember that effort is not excellence but it is human.
The subtext is partly institutional. Mid-century literary culture prized the critic as gatekeeper, capable of making or breaking reputations with a line. Cowley, who moved among writers as well as reviewing them, understands the asymmetry: the critic can be glib in an afternoon; the author has already spent years building a world that may not stand up. “Kind and considerate” isn’t a request to dilute standards. It’s a warning against mistaking cleverness for insight, and against the ego trap of the reviewer performing superiority.
There’s also a democratic edge. If writing a bad book can require as much time, vulnerability, and stubborn hope as writing a good one, then ridicule becomes not just unkind but intellectually lazy. Cowley is asking critics to match the writer’s investment with their own: do the work, name what fails and why, and remember that effort is not excellence but it is human.
Quote Details
| Topic | Writing |
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