"Be not the first by whom the new are tried, Nor yet the last to lay the old aside"
About this Quote
Pope’s couplet reads like etiquette, but it’s really a little machine for managing risk in an age obsessed with taste. “Be not the first” flatters the reader’s desire to look discerning, not gullible: early adopters are framed as experimental bodies, volunteering to be embarrassed when the novelty curdles. Then Pope pivots: “Nor yet the last” skewers the opposite vanity, the kind that mistakes stubbornness for principle. The target isn’t change; it’s the ego games people play around change.
The line works because it weaponizes symmetry. The balanced “first” and “last,” “new” and “old,” makes moderation feel like moral geometry, not mere caution. In heroic couplets, that clean closure is persuasive: the form itself performs the poise it recommends. You can hear the social world behind it, too. Pope is writing in early 18th-century Britain, where fashion, patronage, and print culture turn taste into status. In that setting, novelty is both currency and trap. To chase it too hard is to look unserious; to reject it too long is to look irrelevant.
The subtext is social survival: adopt the new only after it’s been vetted, but retire the old before it brands you as out of touch. It’s conservative, yes, but not reactionary. Pope isn’t arguing for tradition as sacred; he’s arguing for timing as intelligence. He’s teaching the reader how to keep dignity intact while the world updates around them.
The line works because it weaponizes symmetry. The balanced “first” and “last,” “new” and “old,” makes moderation feel like moral geometry, not mere caution. In heroic couplets, that clean closure is persuasive: the form itself performs the poise it recommends. You can hear the social world behind it, too. Pope is writing in early 18th-century Britain, where fashion, patronage, and print culture turn taste into status. In that setting, novelty is both currency and trap. To chase it too hard is to look unserious; to reject it too long is to look irrelevant.
The subtext is social survival: adopt the new only after it’s been vetted, but retire the old before it brands you as out of touch. It’s conservative, yes, but not reactionary. Pope isn’t arguing for tradition as sacred; he’s arguing for timing as intelligence. He’s teaching the reader how to keep dignity intact while the world updates around them.
Quote Details
| Topic | Embrace Change |
|---|---|
| Source | Unverified source: An Essay on Criticism (Alexander Pope, 1711)
Evidence: Likely Part II; appears in early quartos (exact page varies by edition/format). Primary-source location: Pope’s poem *An Essay on Criticism*. The couplet occurs in the passage beginning “In words, as fashions, the same rule will hold; / Alike fantastick, if too new, or old; …” and is commonly ind... Other candidates (2) The Works of Alexander Pope (Alexander Pope, 1871) compilation95.0% ... Be not the first by whom the new are tried , Nor yet the last to lay the old aside . 325 330 335 But most by numb... Alexander Pope (Alexander Pope) compilation41.0% the two or three first books of my translation of the iliad that lord desired to have the pleasure o |
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