"Beautiful? It's all a question of luck. I was born with good legs. As for the rest... beautiful, no. Amusing, yes"
About this Quote
Beautiful, in Baker's mouth, is less a compliment than a trap. She takes the question everyone asked of a Black female star in the 1920s and 30s - are you "naturally" stunning, are you exotic, are you real? - and slips out of it with a laugh that doubles as a knife. "It's all a question of luck" punctures the myth of innate glamour. She refuses the fairy tale that fame is merit made visible, and she refuses the uglier corollary that her body is public property to be judged, ranked, and consumed.
The line about "good legs" is strategically blunt: she acknowledges what the gaze fixated on, then reduces it to an accident of birth. That shrug is power. It turns fetish into contingency. It also reads as an artist's credo. Baker built a career in motion, timing, and charisma; legs are equipment, not essence. When she adds, "As for the rest... beautiful, no. Amusing, yes", she's choosing the word that made her dangerous. "Amusing" sounds modest, even self-deprecating, but it's a claim to authorship. Beauty is passive, bestowed. Amusement is active, engineered, a relationship with an audience she can control, tease, and manipulate.
In the context of Baker's Paris stardom - marketed as both modern and "primitive", celebrated and caricatured - the quote reads like self-defense disguised as charm. She won't deny the spectacle; she reframes it. She tells you: don't confuse my packaging with my point.
The line about "good legs" is strategically blunt: she acknowledges what the gaze fixated on, then reduces it to an accident of birth. That shrug is power. It turns fetish into contingency. It also reads as an artist's credo. Baker built a career in motion, timing, and charisma; legs are equipment, not essence. When she adds, "As for the rest... beautiful, no. Amusing, yes", she's choosing the word that made her dangerous. "Amusing" sounds modest, even self-deprecating, but it's a claim to authorship. Beauty is passive, bestowed. Amusement is active, engineered, a relationship with an audience she can control, tease, and manipulate.
In the context of Baker's Paris stardom - marketed as both modern and "primitive", celebrated and caricatured - the quote reads like self-defense disguised as charm. She won't deny the spectacle; she reframes it. She tells you: don't confuse my packaging with my point.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
More Quotes by Josephine
Add to List







