"Beauty is less important than quality"
About this Quote
In a field obsessed with sheen, Eugene Ormandy’s “Beauty is less important than quality” reads like a deliberate jab at the easy applause line. Coming from a conductor famous for the Philadelphia Orchestra’s plush, “golden” sound, the statement isn’t anti-beauty; it’s anti-prettiness as an end point. Ormandy knew how seductive polish can be: the velvety strings, the seamless blend, the kind of surface that can make even routine interpretation feel luxurious. His line is a reminder that the orchestra’s glow is supposed to be a vehicle, not the destination.
“Beauty” here is the immediate sensory hit: tone, blend, the Instagrammable moment of musical lushness. “Quality” is harder and more ethical: intonation that serves structure, phrasing that reveals architecture, tempo choices that respect a work’s inner logic, discipline that holds under pressure. It’s also a rebuke to the culture of performance-as-consumption, where audiences (and critics) can be trained to reward the attractive wrapper over the difficult truth of the score.
The subtext is reputational, too. Ormandy spent decades navigating the backhanded compliment that his orchestra sounded gorgeous but played it safe. This quote reads like a quiet manifesto: don’t confuse a luxury finish with craftsmanship; don’t confuse charm with conviction. In an era of recordings, broadcast concerts, and increasingly marketable “sound,” Ormandy is insisting on standards that outlast fashion: clarity, integrity, and musical thinking that doesn’t disappear once the last chord fades.
“Beauty” here is the immediate sensory hit: tone, blend, the Instagrammable moment of musical lushness. “Quality” is harder and more ethical: intonation that serves structure, phrasing that reveals architecture, tempo choices that respect a work’s inner logic, discipline that holds under pressure. It’s also a rebuke to the culture of performance-as-consumption, where audiences (and critics) can be trained to reward the attractive wrapper over the difficult truth of the score.
The subtext is reputational, too. Ormandy spent decades navigating the backhanded compliment that his orchestra sounded gorgeous but played it safe. This quote reads like a quiet manifesto: don’t confuse a luxury finish with craftsmanship; don’t confuse charm with conviction. In an era of recordings, broadcast concerts, and increasingly marketable “sound,” Ormandy is insisting on standards that outlast fashion: clarity, integrity, and musical thinking that doesn’t disappear once the last chord fades.
Quote Details
| Topic | Wisdom |
|---|
More Quotes by Eugene
Add to List








