"Beauty is less important than quality"
About this Quote
Eugene Ormandy, famed for the silken Philadelphia Sound, knew how intoxicating sheer loveliness can be. Yet he kept his priorities straight: a gorgeous sonority that floats above shaky intonation, ragged ensemble, or careless phrasing is a mirage. Quality is the groundwork on which beauty rests. In an orchestra, that means rhythmic unanimity, clarity of inner voices, balance that lets the harmony breathe, and fidelity to the score so the music’s architecture stands. When those elements are secure, beauty is not an ornament but a natural consequence.
The remark also counters a persistent temptation in performance: to chase surface effects that dazzle in the hall while ignoring craft that microphones will expose and time will judge. Ormandy recorded prolifically and led the Philadelphia Orchestra for more than four decades; such longevity and scrutiny demand standards that do not wilt under close listening. His rehearsals were known for discipline and detail. The much-admired sheen of his strings mattered, but it mattered because it sat on a bedrock of precision.
There is an irony here, since Ormandy’s name is often associated with sumptuousness. The line clarifies that he did not mistake polish for excellence. Beauty can be subjective and fleeting; quality has a stubborn, measurable character. It honors the composer, respects the musicians’ craft, and serves the audience with something that rings true the second, tenth, and hundredth time.
The principle reaches beyond music. A well designed object that breaks easily, a stylish sentence that says little, a sleek app that crashes, all teach the same lesson. Aesthetic appeal draws attention, but quality earns trust and gives art and craft their staying power. Ormandy suggests a hierarchy rather than a tradeoff: pursue quality first, and the most lasting beauty will follow.
The remark also counters a persistent temptation in performance: to chase surface effects that dazzle in the hall while ignoring craft that microphones will expose and time will judge. Ormandy recorded prolifically and led the Philadelphia Orchestra for more than four decades; such longevity and scrutiny demand standards that do not wilt under close listening. His rehearsals were known for discipline and detail. The much-admired sheen of his strings mattered, but it mattered because it sat on a bedrock of precision.
There is an irony here, since Ormandy’s name is often associated with sumptuousness. The line clarifies that he did not mistake polish for excellence. Beauty can be subjective and fleeting; quality has a stubborn, measurable character. It honors the composer, respects the musicians’ craft, and serves the audience with something that rings true the second, tenth, and hundredth time.
The principle reaches beyond music. A well designed object that breaks easily, a stylish sentence that says little, a sleek app that crashes, all teach the same lesson. Aesthetic appeal draws attention, but quality earns trust and gives art and craft their staying power. Ormandy suggests a hierarchy rather than a tradeoff: pursue quality first, and the most lasting beauty will follow.
Quote Details
| Topic | Wisdom |
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