"Because good writing in a TV cartoon is so rare, I think the animation on The Simpsons is often overlooked"
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Groening lands the line like a compliment and a rebuke, aimed less at his own show than at the industry that made it an exception. The setup is almost unfairly casual: “Because good writing in a TV cartoon is so rare” isn’t merely a boast about The Simpsons; it’s a sideways indictment of how low the bar was set for animated television, where jokes were often treated as disposable and scripts as scaffolding for merchandising. He’s crediting The Simpsons with escaping that trap, then pointing out the collateral damage of success: when a cartoon’s writing finally commands adult attention, audiences start treating the visuals as an afterthought, as if animation were just a delivery system for punchlines.
The subtext is a defense of craft. Groening is reminding viewers that animation isn’t “lesser” filmmaking; it’s filmmaking with extra labor, extra decisions, extra intention. The Simpsons’ look is deceptively plain, but its visual storytelling is dense: character acting, background gags, timing, composition, the elastic physics that make satirical exaggeration feel truthful. Strong writing can make those choices invisible by making them feel inevitable.
Context matters here: The Simpsons arrived after decades of TV animation boxed into children’s programming, cheap production, and formulaic humor. Its writers’ room became legendary, and Groening is subtly correcting the cultural narrative that crowned it “smart” by implying “smart” also lives in line, color, and motion. It’s an argument for noticing what we’ve been trained not to see.
The subtext is a defense of craft. Groening is reminding viewers that animation isn’t “lesser” filmmaking; it’s filmmaking with extra labor, extra decisions, extra intention. The Simpsons’ look is deceptively plain, but its visual storytelling is dense: character acting, background gags, timing, composition, the elastic physics that make satirical exaggeration feel truthful. Strong writing can make those choices invisible by making them feel inevitable.
Context matters here: The Simpsons arrived after decades of TV animation boxed into children’s programming, cheap production, and formulaic humor. Its writers’ room became legendary, and Groening is subtly correcting the cultural narrative that crowned it “smart” by implying “smart” also lives in line, color, and motion. It’s an argument for noticing what we’ve been trained not to see.
Quote Details
| Topic | Writing |
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