"Because his basic idea that he got from the study of gall wasps is that everyone's sexuality is unique"
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There’s something disarmingly practical about a director name-checking gall wasps to make a point about sex. Bill Condon is channeling a very particular kind of late-20th-century intellectual mood: the belief that nature, studied closely enough, can rescue us from crude moral categories. The intent isn’t to sound “scientific” for its own sake; it’s to smuggle in a more humane premise under the cover of biology. If a tiny parasitic insect can produce wildly varied, bespoke outcomes, then maybe the human urge to sort desire into neat, judgeable boxes is the real aberration.
The subtext is a rebuke to one-size-fits-all narratives of sexuality, including the supposedly progressive ones. “Unique” doesn’t just mean “different orientations exist.” It means the whole project of ranking, pathologizing, or even over-defining people misses the lived complexity Condon tends to dramatize: the private compromises, the odd turns of longing, the ways identity can feel both chosen and accidental. The gall wasp detail matters because it’s alien and unglamorous. It pulls sexuality away from the usual glamour shots of transgression or romance and toward variation as an ordinary fact of life.
Contextually, Condon’s filmography often circles stories where public scripts collide with intimate truth. This line reads like a director’s guiding ethic: treat desire less like a political litmus test and more like an ecosystem - specific, adaptive, and resistant to tidy conclusions.
The subtext is a rebuke to one-size-fits-all narratives of sexuality, including the supposedly progressive ones. “Unique” doesn’t just mean “different orientations exist.” It means the whole project of ranking, pathologizing, or even over-defining people misses the lived complexity Condon tends to dramatize: the private compromises, the odd turns of longing, the ways identity can feel both chosen and accidental. The gall wasp detail matters because it’s alien and unglamorous. It pulls sexuality away from the usual glamour shots of transgression or romance and toward variation as an ordinary fact of life.
Contextually, Condon’s filmography often circles stories where public scripts collide with intimate truth. This line reads like a director’s guiding ethic: treat desire less like a political litmus test and more like an ecosystem - specific, adaptive, and resistant to tidy conclusions.
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| Topic | Deep |
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